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Bonnie Jones: The Sounds of Not Belonging
By: Alexandra Gardner
El País Invisible (The Invisible Nation): Inspired by Political Invisibility, Sovereignty, and the Desire for Belonging
Together We Can
By: Craig Shepard
Fathom is a series of music and video pieces based on real-time environmental data taken from the Hudson River.Fathom is a series of music and video...
Fathom
Part of the PROTOTYPE Festival in January 2020. Watch the video:Part of the PROTOTYPE Festival in January 2020....
Ellen West Audience Reaction
Including the world premiere of "Crossing the Rubicon" by Leaha Maria VillarrealIncluding the world premiere of "Crossing the Rubicon"...
Hotel Elefant / Bearthoven
The next iteration of Project Grants deadline will be January 30, 2020 at 5 pm Eastern time. Updated guidelines will be posted in early November 2019.The next iteration of Project Grants deadline will...
Our Programs
The Cut-Outs (Matisse) East Coast Premiere

On Our Calendar

Featured projects
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National Park Centennial Commissions Commercial CD Recording
Studio recording and commercial CD release of commissions in celebration of the National Park Service Centennial
[Switch~ Ensemble] Commissions Katharina Rosenberger
The [Switch~ Ensemble] and composer Katharina Rosenberger collaborate on a new work for ensemble and multimedia
Third Coast Percussion Residency
Market Square Concerts brings Grammy-winning Third Coast Percussion's "Perpetulum" and two educational programs to Harrisburg, PA.

The Latest from NewMusicBox
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The Journey In (Performing Microtonal Choral Music, Part 1)
Why would anyone expect a choir to be able to sing microtones? All the literature seems to be on their limitations. Everyone knows that choirs are devastatingly conservative, anyway. They,...
Together We Can
In 2010, I had more or less stopped making music. To anyone who would listen, I complained about other musicians, arts funding, and how much better the European cultural infrastructure...
Bonnie Jones: The Sounds of Not Belonging
If you are attending an event in Baltimore that includes improvised electronic music, experimental theater, or multimedia installation, the chances are good that you will cross paths with sound artist...
Omar Thomas Wins 2019 Revelli Award
Omar Thomas has been named the recipient of the 2019 William D. Revelli Award for his 2018 composition Come Sunday.
Hearing a Person—Remembering Ruth Anderson (1928-2019)
The last music Ruth Anderson heard before she died was Judith Blegen singing Kein Musik ist ja nicht auf erden …, with which Mahler’s Fourth Symphony ends, a song which...
Teaching Inequality: Consequences of Traditional Music Theory Pedagogy
Western art music is not a universal language. It does some things well, other things not as well, and many things not at all. What biases do we create in...
The Artful Toy: Toy Piano Influencers and The Making of an Album
I did not come to the toy piano deliberately. Instead, while doing research on John Cage, I went down a rather strange rabbit hole, where I stumbled across a wonderful...
Lei Liang Wins 2020 Grawemeyer Award for Climate Change-Inspired Piece
Chinese-American composer Lei Liang has won the 2020 University of Louisville Grawemeyer Award for Music Composition for a Boston Modern Orchestra Project commissioned orchestral work titled A Thousand Mountains, a...
Bryce Dessner: I’m the Same Musician Wherever I Go
Bryce Dessner has learned different lessons from his immersion into very different kinds of music-making and these lessons have made him a stronger musician, whether he is writing songs and...
How Working with Birdsong Brought Me to New Communities Beyond Music
One never knows where the music will take you, especially if you are willing to explore new pathways. After the release of my recording Birdsongs, the conversations about the music...
Cultural Appropriation in Classical Music?
Though it seems ironic, acultural neutrality is a narrative the West has culturally taught itself. Minute cultural awarenesses break through sometimes, but often the positive changes we are desperate for...
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