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Frank J. Oteri at the American Academy of Arts and Letters in 2003
865 articles on NewMusicBox
Show activity on NewMusicUSA
1 media item

Frank J. Oteri

New York, NY         

Frank J. Oteri is the composer advocate at New Music USA and the co-editor of NewMusicBox, which has been online since May 1999. An outspoken crusader for new music and the breaking down of barriers between genres, Frank has written for numerous publications and has also been a frequent radio guest and pre-concert speaker. Frank also serves on the Executive Commmittee of the International Society for Contemporary Music (ISCM) and chairs the Communication Committee of the International Association of Music Information Centers (IAMIC). Frank holds a B.A. and a M.A. (in Ethnomusicology) from Columbia University where he served as Classical Music Director and World Music Director for WKCR-FM.

Frank’s own musical compositions reconcile structural concepts from minimalism and serialism and frequently explore microtonality. His music has been performed in venues ranging from Carnegie’s Weill Recital Hall and the Theatre Royal in Bath, England to the Knitting Factory, the Andy Warhol Museum in Pittsburgh, and PONCHO Concert Hall in Seattle where John Cage first prepared a piano. Among his most widely performed compositions are: Imagined Overtures, a 36-tone rock band piece that has been performed around the country and is the centerpiece of a 2009 CD by the Los Angeles Electric 8; and Last Minute Tango which pianist Guy Livingston has toured around the world and paired with a short film by Thijs Schreuder on his DVD One Minute More that can be streamed from the website of NPR. MACHUNAS, a performance oratorio inspired by the life of Fluxus-founder George Maciunas which Oteri created in collaboration with Lucio Pozzi, received its world premiere during the 2005 Christopher Summer Festival in Vilnius, Lithuania; that performance can be streamed in its entirety from the website of the Other Minds Video Archive. Oteri’s most recent works include: Love Games, a setting for girls chorus, harpsichord, and two tambourines of three poems by the Elizabethan sonneteer Mary Wroth which was commissioned and premiered by the Young People’s Chorus of New York City under the direction of Francisco J. Núñez for their Radio Radiance series; (not) knowing the answer, a setting of six sijos by James R. Murphy for unaccompanied vocal ensemble in 13-limit just intonation; and Counting Time in Central City, a setting for unaccompanied SATB chorus of three poems by Charles Passy commissioned by Central City Chorus for their 35th anniversary season, which received its world premiere performance in New York City in June  2016.

Ironically, Oteri’s most recent composition, Dually, is also his oldest. It is based on material from his earliest piece of chamber music which was written after becoming intrigued about instrumental composition due to his high school music teacher, Dr. Lionel “Lee” Chernoff, shortly before turning 15 in 1979. Chernoff died in December 2016 prompting Oteri to re-examine that music which led to a realization that it contained anagrams of Chernoff’s name inspiring a “new” work for alto saxophone and guitar which was performed by the Duo Montagnard (Joseph Murphy and Matthew Slotkin) in the rotunda of Bronx Community College’s Gould Memorial Library on April 26, 2017 and again at the First Presbyterian Church of Elmira, New York on Friday, December 8, 2017.

In 2007, Oteri was the recipient of ASCAP’s Victor Herbert Award for his “distinguished service to American music as composer, journalist, editor, broadcaster, impresario, and advocate” and, in January 2018, he received the Composers Now Visionary Award. For more information, visit fjoteri.com.

Articles by Frank J. Oteri:

Conversations October 1 2016 | By Frank J. Oteri
Adam Rudolph: Languages of Rhythm

Making sense of the world we live in seems to be one of the focal points of Adam Rudolph’s life. The way he has chosen to do so is through...

Conversations September 1 2016 | By Frank J. Oteri
Yarn/Wire: From The Ground Level

One of the most exciting as well as one of the most articulate groups of DIY new music interpreters is the two piano/two percussion quartet Yarn/Wire. Performing together at the...

Conversations August 1 2016 | By Frank J. Oteri
Eleanor Cory: What I Really Want To Do

Eleanor Cory gets inspiration from listening to a wide variety of music as well as attending poetry readings and her music thrives from creating sonic dialogues between elements that don’t...

Conversations July 1 2016 | By Frank J. Oteri
John King: It All Becomes Music

John King composed 14 pieces last year which clock in at more than six hours. But that's just the tip of the iceberg. To date he has created well over...

Conversations June 17 2016 | By Frank J. Oteri
Mary Ellen Childs: On Merging Sound and Scent

"What we listen to affects how we smell," says Mary Ellen Childs. "Both those senses can make us have an emotional reaction. They might even make us experience time or...

Headlines June 10 2016 | By Frank J. Oteri
Music Publishers Association Announces 2016 Paul Revere Awards

The 2016 Paul Revere Awards for Graphic Excellence were announced during the luncheon of the annual meeting of the Music Publishers Association at the Redbury Hotel in New York City...

Headlines June 8 2016 | By Frank J. Oteri
Thirteen Emerging Composers Will Participate in Two of USA’s Most Prestigious Orchestra Programs

Thirteen emerging composers will participate in the 2016 ACO Underwood New Music Readings and the 2017 Minnesota Orchestra Composer Institute.

Conversations June 1 2016 | By Frank J. Oteri
Mary Ellen Childs: Engaging All the Senses

While the music of Mary Ellen Childs has a distinctive and recognizable sound, she has long been interested in engaging the other senses as well--whether it's presenting live music for...

Headlines May 20 2016 | By Frank J. Oteri
The Wizards of New Music: Reflections on the 2016 ISCM World Music Days

If you think hard enough about new music and how it makes its way in our present society, there are striking similarities to the fictional wizarding community that J. K....