I readily confess that I lifted the title for this piece directly from a poetic description of Dan Trueman that appeared in Electronic Musician just a few weeks before I interviewed the composer myself. “Trueman is a man out of time,” noted Ken Micallef, “one foot in tomorrow’s software, the other in yesterday’s folk music.”
I scribbled this seeming contradiction across the top of my notes, but quickly began to wonder if these musical worlds were so very far apart after all. Trueman’s beloved Norwegian Hardanger fiddle, after all, is its own kind of remarkable technology. And the work he does with programming, particularly when building his own invented instruments or working with the Princeton Laptop Orchestra (PLOrk), often takes metal, plastic, and code into areas of incredibly organic and tactile creation. That they implied to me a type of contradiction felt narrow minded on reflection. If there is any line to cross, Trueman certainly doesn’t trip on it.
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