Her dynamic personality fires up a room, making it easy to see how, just a few weeks prior to our meet up for the interview posted below, she rallied hundreds of musicians for the performance of her massive outdoor work Crissy Broadcast on a repurposed airfield in San Francisco.
Raised in the Bay Area, Bielawa has recently returned to her hometown to serve as the artistic director of the San Francisco Girls Chorus, an ensemble she herself was once a member of as a young artist. Yet as a touring performer (in addition to her compositional activities, she has sung with the Philip Glass Ensemble since 1992), she began a kind of nomadic existence that continues to carry her from city to city. New York has been her primary address as an adult, but her music has also led to long stints in places such as Boston, where she was in residence with the Boston Modern Orchestra Project for three years; Berlin, where she mounted the first of the Airfield Broadcasts; and Rome where she was a fellow at the American Academy and produced a performance of a previous outdoor work, Chance Encounter, along the banks of the Tiber River.
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