My Awarded Projects
Quién Como Tú (Who Like You)
Angélica Negrón’s data- and diva-driven personal exploration.Created By: New Music Detroit
she is called
An evening-length multi-composer choral theater work reconstructs female identity and unlocks new possibilities for people of all genders.Created By: Brooklyn Youth Chorus
2020 Young Women Composers Camp
We aim to amplify the voices of young women and work towards closing the gender gap in music composition.Created By: Young Women Composers Camp
Not then, not yet
“Endless Shapes”, premiering at The Flea, joins together choreographer Tiffany Mills, composer Angelica Negron, and vocalist Muriel Louveau.Created By: Tiffany Mills
Angélica NegrónBrooklyn, NY
Composer and multi-instrumentalist Angélica Negrón was born in San Juan, Puerto Rico in 1981 and is currently based in Brooklyn, New York. Interested in creating intricate yet simple narratives that evoke intangible moments in time, she writes music for accordions, toys and electronics as well as chamber ensembles and orchestras. Her music has been described as “wistfully idiosyncratic and contemplative” (WQXR/Q2) and “mesmerizing and affecting” (Feast of Music) while The New York Times noted her “capacity to surprise” and her “quirky approach to scoring”. She was recently selected by Q2 and NPR listeners as part of “The Mix: 100 Composers Under 40” and by Flavorpill as one of the “10 Young Female Composers You Should Know”.
Angélica has been commissioned by MATA Festival 2011, Choral Chameleon, janus trio, pianists David Friend and toy pianist Phyllis Chen (for the “Look and Listen Festival 2011”), among others, and she has curated concerts for El Museo del Barrio (Composers Now Festival), MATA Interval Series and Pregones Theater. Her music has been performed by TRANSIT Ensemble, Cadillac Moon Ensemble, Cantori NY, Face the Music, Iktus Percussion Quartet, NYU Symphony Orchestra and the Puerto Rico Symphony Orchestra, and she has written music for documentaries, films, theater and modern dance. She frequently collaborates with the experimental theater company from Puerto Rico Y No Había Luz writing music for their plays, which often incorporate puppets, masks and unusual objects.
A long time member of the Puerto Rican underground music scene, Angélica is a founding member of the electro-acoustic pop outfit Balún where she sings and plays the accordion and violin. With her project Arturo en el Barco she concentrates on working with lo-fi ambient compositions and has released albums on Observatory (Austria) and Carte Postale Records (Belgium).
Angélica received an early education in piano and violin at the Conservatory of Music of Puerto Rico where she later studied composition under the guidance of composer Alfonso Fuentes. She holds a master’s degree in music composition from New York University where she studied with Pedro da Silva and is currently pursuing a doctorate in music composition at The Graduate Center (CUNY), where she studies with Tania León. She has received grants from Meet the Composer (MetLife Creative Connections Program), Foundation for Contemporary Arts (Emergency Grants) and the National Hispanic Foundation for the Arts, among others.
Also active as an educator, Angélica is currently working as a teaching artist for New York Philharmonic’s Very Young Composers and Lincoln Center Education, and she co-founded with Noraliz Ruiz the Spanish immersion music program for young children ¡Acopladitos!. She has contributed as a writer to the International Alliance of Women in Music Journal and the British magazine The Wire. Angélica was a composer fellow at the Bang on a Can Summer Festival 2011 and was recently selected as a featured Ableton Live artist. She was the 2014-2015 Van Lier Fellow at American Composers Orchestra and was recently selected as one of the recipients for NYFA’s 2016 Artists’ Fellowship Program.
Her music is published by Good Child Music.
“El Colapso” is part of a song cycle which presents a collection of ambient influenced songs about escapism, delusion, longing and mortality. It features my friend Bayoán Ríos on charango and zampoña (Andean pan flute) as well as an orchestra of found sounds crafted mostly through cookware and other domestic sounds.
La Isla Mágica
Performed by Eleonore Oppenheim. “La Isla Mágica” (The Magic Island) is a piece for solo double bass and pre-recorded electronics which explores possible connections between two islands that are close to my heart: Puerto Rico and Bali. The piece focuses on the joy of exploration and discovery with the intent of transporting the listener to an exotic location: a new hybrid imaginary island where the present moment is the only thing that’s significant.
Me He Perdido
“Me he perdido” (I’ve Gotten Lost) is a new piece for the American Composers Orchestra featuring an ensemble of mechanical instruments by instrument builder Nick Yulman. Inspired by the surrealist poetry of Argentine poet Oliverio Girondo, the piece explores the vastness of emptiness and the sensation of getting lost and vanishing from oneself. Incorporating traditional gamelan instruments with robotic modules as well domestic found sounds along with a symphony orchestra, the piece inhabits a space which embraces mystery and uncertainty.