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Bernd Klug

Brooklyn, NY      

Bernd Klug – sound art / double bass / composition (US/AT)

Bernd Klug is an Austrian born, Brooklyn based sound artist and double bassist. In sound installations and solo concerts, his music encounters our everyday circumstances as found forms and questions our perceptions of sound and social space.

His installations make use of acoustic phenomena like feedback, room frequencies and electromagnetic waves and explore strings, wood, metal and other materials as audiovisual components. Recently Klug has shown his works in solo exhibitions at Harvestworks (NYC 2013), Art Now at Monmouth University (NJ, 2014, ce.ins_0006) and the Austrian Cultural Forum NYC (2015) as well as collaborations with Daniel Lercher at mo.ë (Vienna 2014) and ‘Bearing’ with Johanna Tiedtke at Galerie Freihausgasse (Villach, AT April 2015) and group shows, such as, Groundswell 2015 (Olana, NY) and Klangmanifeste (Vienna 2012).

His solo double bass work (cupreous donkey and the CD ‘Cold Commodities’ Innova 902) focuses on the world inside and around the double bass: the bow, the body, and room frequencies lay the groundwork for a radical reduction of both the composer-performer’s role and the traditional musical narrative. He has played solo concerts at CTSwaM Fridman Gallery, Share Issue Project Room, Biegungen Ausland (Berlin), CoCART – Tarun (PL), CNMAT (Berkeley) and Radiokulturhaus and the Porgy and Bess in Vienna.

As an improviser and bassist, he has collaborated with Burkhard Stangl, Keiko Uenishi, Shelley Hirsch, Radu Malfatti, Franz Hautzinger, Butch Morris, Bernhard Lang, John Butcher, Gust Burns, Danielle Dahl, Mimu Merz, Daniel Lercher, Henrik Munkeby Nørstebø, Laurie Amat, Brendan Landis, Lucio Menegon, Kjetil Hanssen, ctrl, OENCZkekvist and Ritornell. His most recent bands include the experimental techno noise band T-Shit (w/ Bernhard Hammer and Sixtus Preiss) and the dramatic chamber duo Rash (with Meaghan Burke, cello).

His compositional cycle “sine tempore” is a series of works experimenting with sound designs in non-dramatic contexts.

Together with New Yorker cellist Meaghan Burke, he is an organizer of the Transit Festival, which provides a platform for connecting experimental music with different musical genres, audiences, places and countries.

Bernd Klug is a Wave Farm Artist In Residence 2015 and was recently awarded the award for interdisciplinary arts 2015 from the Carinthian government, AT and the “New Austrian Sound of Music” prize for 2014-15. His compositions received commissions by New Music USA and the BKA (Austrian Federal Chancellery).  He was granted an educational scholarship at Harvestworks (NYC) in 2012-13, and received the BM:UKK Startstipendium (federal Austrian grant for artists) in 2011. He graduated from Bard College’s MFA program (Music/Sound) in 2015 and holds a BA in bass performance (popular, contemporary, and classical music and music education) from the Vienna University for Music and Performing Arts.

Bernd Klug – Portfolio 2015

more information about my work

Leave the Bass Alone, 5 basses @ Harvestworks, NYC (October 2012

In “5 basses”, five double basses are amplified and feedbacked with each other. The strings and the bodies of the basses resonate with their ambient surroundings, thus creating an interactive drone in which the basses are controlled both by their acoustic vibrations and their environment. Seemingly simple acoustic/physical principles take on the complex role of the composer, creating forms and structures surprisingly similar to those we find in our everyday life.

[Oct 19-21] Leave The Bass Alone, 5 Basses

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a male black wearing white, red and black stripes

for electric bass and radio scanner
released on Cold Commodities, Innova 902, 2014

http://www.innova.mu/albums/bernd-klug/cold-commodities

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