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Delaware Symphony Orchestra

Wilmington      

Industrialist, musician, and published composer Alfred I. du Pont founded the earliest ancestor of the Delaware Symphony Orchestra (DSO) in the early 19th century.   Its name was originally the Tankopanikum Orchestra, which is translated from Native American as “the rushing waters of the Brandywine River”.  The ensemble was comprised of a small group of local amateur musicians who were employed as mill workers, doctors, and laborers.  Thanks to du Pont’s dedication, local interest in music performance was strengthened immensely in a short period of time. 

Although du Pont’s original orchestra disbanded, in 1906 two prominent businessmen, Major Kellogg Kennon Venable (K.K.V.) Casey and Cyrus Peter Miller (C.P.M.) Rumford, formed the Wilmington Orchestra.  They shared a vision to form a group “to play and promote the better things in music”.  They recruited musical friends along with conductor August Rodemann of the Philadelphia Orchestra to become the new music director.  Once the membership became too large to fit inside Rumford’s house, a decision was made to create a formal organization with officers and a larger venue.  The first concert was performed on May 27, 1907 in the Garrick Theater on Market Street near 9th Street and tickets were complimentary.

After the Wilmington Orchestra disbanded due to a lack of financial support, the Wilmington Symphony Club was formed in 1912.  Its conductor, Harry Stausebach, was a violinist from the first Tankopanikum Orchestra.  In 1929 the name was changed to the Symphony Club of Wilmington, and the primarily amateur group performed twice each year.  Gradually a larger fraction of the 60-member orchestra became professional, but there were still varying degrees of experience among players.  By 1940 the orchestra had increased in size to 90 members.

The first executive board of the orchestra was created in 1946 along with a program committee as advisors to the conductor.  In 1955, Stausebach retired after a 26-year career of conducting and energizing an orchestra for the city of Wilmington. 

Upon Stausebach’s retirement, the Board of Directors chose Van Lier Lanning as the conductor.  He demanded more players and more auditions, enabling the orchestra to grow and the season to lengthen.  By the time he retired after 24 years of service, the orchestra had grown to an almost all professional ensemble.  It was renamed the Delaware Symphony Orchestra in 1971 to better reflect the orchestra’s regional reach.  During Lanning’s time, the number of concerts increased from three annually to four, as well as two children’s concerts instead of one. 

In 1979 Stephen Guzenhauser was named music director.  During his 23 year tenure, he was known for increasing the professionalism and quality of the orchestra.  Under his leadership the Symphony went on their first professional tour to Portugal.  He also led the orchestra in debut performances in New York City and Washington D.C.

With the support of the Alfred I. du Pont Foundation, the DSO inaugurated in 1985 the annual Alfred I. du Pont Composer’s Award, presented to a distinguished American composer or conductor who has made a significant contribution in the field of contemporary classical music.  The first award was presented to William Howard Schuman and the 2016-2017 season award was presented to André Previn.  Other recipients include George Rochberg, Morton Gould, John Corigliano, John Adams, Ellen Zwilich, Stephen Albert, David Diamond, William Bolcom, Robert Ward, Joseph Schwantner, Stephen Paulus, Joan Tower, Lukas Foss, Richard Wernick, Christopher Rouse, George Walker, Steve Reich, David Lang, Michael Torke, Gunther Schuller, Michael Daughterty, Elliott Carter, Phillip Glass, George Crumb, Libby Larsen, Jennifer Higdon, Aaron Jay Kernis, Kevin Puts, and Christopher Theofanidis.  A work by the recipient is featured on the performance during which the award is presented.

In September 2003, after a season long search, David Amado began his responsibilities as conductor and music director.  Chosen from over 325 applicants worldwide, he is the fifth conductor to lead the orchestra.  Amado has brought new energy and recognition to the DSO, re-connecting with patrons and reaching out to new audiences through a variety of programming.  2016-2017 marks his fourteenth season as Music Director.

In 2010, David Amado and the DSO recorded a CD on the TelArc label featuring the Los Angeles Guitar Quartet in a performance of Sergio Assad’s Interchange for Guitar Quartet and Orchestra.  The Assad recording received a nomination for Best Classical Contemporary Composition from the Latin Grammy Awards.  The DSO is currently working on a Naxos CD, to be released in the fall of  2017, featuring the Brasil Guitar Duo performing double concertos by Cuban composer Leo Brouwer and Brazilian composer Paolo Bellinati.

 As the state’s only professional orchestra, the DSO brings symphonic music to thousands of Delawareans through its Classical and Chamber concert series, special concerts, and education and community engagement programs.  Classics Series full orchestra performances are held at The Grand Opera House’s Copeland Hall in Wilmington. The Chamber Series is held in the Gold Ballroom at the Hotel DuPont in Wilmington.

Dark Mountains (2011)

Peter Bay conducting
Austin Symphony Orchestra
May 17, 2014
Dell Hall, Long Center for the Arts, Austin, TX

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Violin Concerto (2016), III. Festival

David Amado, conducting
Delaware Symphony Orchestra
May 6, 2016 (Classics Series Concert 2)
Copeland Hall, The Grand Opera House, Wilmington, DE

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Dreamtime Ancestors (2015), III. Each Stone Speaks a Poem

David Amado, conducting
Delaware Symphony Orchestra
April 3, 2016 (Classics Series Concert 4)
Laird Center for the Performing Arts, Tatnall School, Wilmington, DE

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