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Danya Katok

New York, NY   

Danya Katok, originally from State College, PA, is an exceptionally versatile vocalist whose repertoire ranges from the pure straight tone of plainchant, to the lush soprano of the Romantic era, to the exciting belt of musical theater. She has performed in many of the country’s top concert halls, including all threestages at Carnegie Hall, the State Theater and Avery Fisher Hall at Lincoln Center, Brooklyn Academy ofMusic, Kennedy Center, and Symphony Hall.  She made her New York City Opera debut as Max in OliverKnussen’s Where the Wild Things Are, a role for which she was praised by The New York Times as being“superb.”  She has appeared as a soloist with The Boston Pops (“An Evening of Cole Porter” alongsideBroadway legend Kelli O’Hara), Fifth Avenue Presbyterian Chamber Choir (Brahms’ Ein deutschesRequiem), Mark Morris Dance Group (Thomson’s Four Saints in Three Acts), and New York SymphonicArts Ensemble (Mahler’s Symphony No. 4 and Vaughan Williams’ Serenade to Music).  Musical theaterand jazz credits include Anna (cover) in The King and I with Ash Lawn Opera Festival, jazz soloist with Mark Morris Dance Group at Jacob’s Pillow, and Anne/Mae (cover) at York Theatre Company (Off-Broadway).  Last summer she made her cabaret debut at NYC’s Don’t Tell Mama.

A two-time Vocal Fellow at Tanglewood Music Center and first-ever New Voices in American Song Fellow at SongFest, Danya has worked closely with song and opera composers, including Libby Larsen, John Musto, Oliver Knussen, and Richard Hundley. She has enjoyed premiering new works by up-and-coming composers, such as Stuart Paul Duncan’s Lament with the Cornell Festival Chamber Orchestra, Michael Strauss’ Sassafras Dawn with members of the Mid-Atlantic Symphony, James Sproul’s October, and David Bridges’ The Hill Wife, a “quartet for two people” where she played the violin and sang.  She has received numerous awards in the contemporary music space, including the Phyllis Bryn-Julson Award for 20th/21st Century Music, Tanglewood’s Grace B. Jackson Prize, and the Ernst Bacon Prize for American Art Song.  Other awards include Regional Finalist in the Metropolitan Opera National Council Auditions (Mid-Atlantic region), Winner of the Annual Teaneck Cabaret Competition, and Winner of the Baltimore Music Club Vocal Competition.

Danya’s choral adventures have led her to perform with some of the world’s best choirs and orchestras, including the New York Philharmonic (under Alan Gilbert, Bernard Labadie, and Bernard Haitink), Vienna Philharmonic (under Franz Welser-Möst), American Symphony Orchestra (under Leon Botstein), and San Francisco Symphony (under Michael Tilson Thomas).  She regularly performs with Sacred Music in a Sacred Space (under K. Scott Warren) and Musica Sacra (under Kent Tritle) and can be heard in numerous recordings, including Essential Voices USA’s recent Christmas and Hanukkah albums (directed by Judith Clurman) and the motion picture soundtracks to Noah; Hail, Caesar!; and Zoolander 2.

Danya has received degrees from Penn State University and Peabody Conservatory, and is currently finishing up her doctorate at The CUNY Graduate Center.  She maintains a private voice studio in New York City and teaches on the voice faculty at Brooklyn College. When not singing, Danya enjoys improvising at Magnet Theater, where she has studied both straight and musical improv comedy with Elana Fishbein, Louis Kornfeld, Michael Lutton, Jon Bander, and Frank Spitznagel.

“Sonnet” from Night Dances by Juliana Hall

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“I Stop Writing the Poem” by John Musto

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