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Dosia McKayKnoxville, TN
Dosia McKay is an American composer of music for concert stage, film, and modern dance. A versatile sound colorist, McKay fluently weaves elements of classical harmony, avant-garde, ambient soundscapes, and her own visual art into the fabric of her compositions. Her portfolio includes works for symphony orchestra, chamber ensembles, choir, soloists, as well as electro-acoustic installations.
Dosia McKay’s music has been featured on National Public Radio and in concerts in New York, Festival Gdynia Classica Nova in Poland, Beijing Modern Music Festival in China, Spain, the National Gallery of Art in Washington, D.C, the Knoxville Museum of Art, the Electro-Music Festival in Asheville, the Diana Wortham Theater in Asheville, and others.
Of her latest album of music for string quartet entitled Glossolalia recorded by NeoQuartet and premiered at the Beijing Modern Music Festival in China in May 2015, the New York magazine I Care If You Listen has written: “McKay composed music which eloquently and expertly describes the human condition… long, luxurious melodies… an album that politely refuses to be pigeonholed… rarely is there an album of new music so expertly performed and packaged”, and the Polish magazine Trojmiasto remarked: “The music is ecstatic and trance-inducing, strongly influencing emotions of the listener, even one who is not musically educated”.
Recent projects include a commission from Pan Harmonia underwritten by a grant from the North Carolina Arts Council in celebration of Pan Harmonia’s 20th season to compose art songs based on the writings of North Carolina women poets, a harpsichord concerto, Awakening for viola and piano, Watercolors for symphony orchestra, Endless Immersion, an experimental album of music for a quadraphonic environment and a 3-D installation, premiered at the Electro-Music Festival in Asheville, Parting composed for Baroque lutenist Will Tocaben, recorded by an Argentine guitar virtuoso Sergio Puccini, and others.
Dosia McKay was born and raised in Poland. At the age of nine she began her music studies at the Elementary School of Music in Wejherowo concentrating on classical guitar, flute, and piano, and continued her education at the Conservatory of Music in Gdansk majoring in flute performance under Ewa Pinno and Katarzyna Wittschenbach. She has been a freelance artist concentrating on chamber, orchestral, big band, and studio music.
Dosia McKay holds M.M. in Scoring for Film and Multimedia from New York University where she studied composition with Marc-Antonio Consoli, Ira Newborn, and Rich Shemaria, and B.M. in Composition from University of Tennessee where she studied with Kenneth A. Jacobs and James R. Carlson. She also participated in masterclasses with Steve Reich, Julia Wolfe, David Lang, Morton Subotnick, Pauline Oliveros, Meredith Monk, Michael Colgrass, Bright Sheng, Jacob ter Veldhuis, Steve Stucky, Mark Snow, Derek Bermel, and others. She is a member of the Society of Composers, the American Composers Forum, and ASCAP. Her music is published by Gavia Music.
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“Unveiling” written for string orchestra is an exploration of layers of sounds. Beginning with one solitary note, new aural strata gradually unfold in which multiple layers of counterpoint constantly shift, weave, and intersect until the tension is finally broken in an unveiling of a tender and fleeting soundscape. North/South Consonance under the direction of Max Lifchitz – live performance
Mereise In Me
For electronically enhanced voice and a bass instrument. ©2013 Dosia McKay / Gavia Music (ASCAP), all rights reserved.
This is high-brow art music, and so it is proper to hide behind a made-up Italian word like Expletivo, but the essence of this movement might be better expressed through the Polish idiom for swearing, which is “to throw meat”. Expletivo is vulgar. It should be bleeped out and cleaned up. Listener discretion is advised.
Karolina Piątkowska-Nowicka – 1st violin
Paweł Kapica – 2nd violin
Michał Markiewicz – viola
Krzysztof Pawłowski – cello
©Ⓟ2014 Dosia McKay / Gavia Music (ASCAP), all rights reserved