Gloria YehilevskyChicago, IL
International percussionist Gloria Yehilevsky appears at the forefront of creative and cross-disciplinary performance in solo and chamber settings. Presenting an immersive practice with improvising, writing, and teaching, her work is consistently rooted in the philosophy that music is communication. Selected as an artist with the World Percussion Group in its 2017 European tour, she appeared at prestigious institutions including Royal Northern College of Music in Manchester, Sibelius Academy in Helsinki, and Royal Danish Academy in Copenhagen. She won the Italy Percussive Arts Society (PAS) International Vibraphone competition and received second prize in the Indiana Day of Percussion Marimba competition in 2017. She is a Musical Merit Foundation protégé and won the PAS/Armand Zildjian Percussion Scholarship.
Recent and upcoming performances include the International Symposium at Princess Galyani Vadhana Institute of Music and Silpakorn University International College in Bangkok, O’s Music in Hong Kong, University at Buffalo Faculty Recital Series, David Rubenstein Atrium at Lincoln Center, Massachusetts Museum of Contemporary Art, Cartes Blanches soirée at L’iceBergues in Geneva, Switzerland, MalletLab Summer Intensive, Big Ears Festival, Festival Ibérico de Música de Badajoz in Spain, and Percussive Arts Society International Convention (PASIC).
While living in Birmingham, United Kingdom, she was heard on BBC Radio 3 as part of the Royal Birmingham Conservatoire’s Royal Opening Gala, seen on BBC television with Millenial Percussion, and has performed in Birmingham’s Symphony Hall, CBSO Centre and the Birmingham Museum & Art Gallery.
Collaborations include String Struck duo with violinist Shannon Reilly, Enamta duo with Taiwanese percussionist Yu-Tzu Kung, interdisciplinary creations with animator Shiyi Li and bassist Aisling Reilly, as well as commissions and premieres of works by Steve Saunders, Alyssa Weinberg, Hugo Bell, Alicia Jane Turner, Chris Sies, Stephanie Orlando, Matt Curlee, Guusje Ingen Housz, Wally Gunn, Erin Graham, Mattjis van Dijk, Alex Howley and Chalcedony Williams.
Gloria completed a Master of Music with distinction from Royal Birmingham Conservatoire, where she worked with Adrian Spillett, Toby Kearney, and Alexej Gerassimez, among others. She holds a Bachelor of Music degree from Morehead State University where she was a George M. Luckey Honors program scholar and was recognized as the Outstanding Undergraduate in Music. She also studied at Örebro Universitet Musikhögskolan with Anders Åstrand and Daniel Berg. In 2013 & 2014 she was a member of the Santa Clara Vanguard “Jonz” front ensemble under the direction of Paul & Sandi Rennick.
Gloria is proud to endorse Black Swamp Percussion as a Concert Artist.
it comes in waves – Samn Johnson
Commissioned by Gloria Yehilevsky for the solo recital programme “Waveshape” with support from the Harrod Fund.
Video by Alexander Henshaw.
Audio by Samn Johnson.
“it comes in waves” was commissioned by Gloria Yehilevsky, who worked closely with me recording samples and discussing the piece. Formally, the piece is a series of “waves” comprised of repetitions of a simple 5-chord progression, with shifting harmonic rhythms controlled by metric cycles involving contrasting prime and composite numbers, particularly 5 and 4.
Minister of Loneliness (live, world premiere)
A collaborative project including live music performance with animation installations and live art performances, expressing individual and communal interactions facing mental health lapses. The performers involved have personal experiences facing these challenges, and this project is here to tell these stories in an abstract yet immersive and honest way.
Composition: Gloria Yehilevsky
Animation: Shiyi Li
Collaborators: Dingli Yang (collage) & Mengxia Liu (illustration)
Performed by Yehilevsky and double bassist Aisling Reilly
Concertante – Maki Ishii
Performance as a member of Millenial Percussion with members of the City of Birmingham Symphony Orchestra percussion section accompanying soloist Yu-Tzu Kung in Maki Ishii’s masterwork. This was performed and recorded in the CBSO Centre in Birmingham, UK.