My Awarded Projects
Chicago Fringe Opera and Latitude 49 present an exploration on love, grief, and sense of self with new music by Christopher CerroneCreated By: Latitude 49
more events »
Latitude 49Waco, TX
The powerhouse mixed-chamber ensemble Latitude 49 is dedicated to exploring new sounds, engaging diverse audiences, and holding hands with composers of today. Equally at home in urban clubs, museums, classrooms, and concert halls, Latitude 49’s genre-bending approach blends the finesse of a classical ensemble with the drive and precision of a progressive rock band. Members come together from across Canada and the United States, epitomizing an unconventional family of sounds, instruments, and human experiences.
L49’s work with living composers is at the heart of its mission, yielding over sixty premieres since the group’s founding in 2012. The 2016 release of Curious Minds was hailed as an “impressive debut” (Peter Margasak, Bandcamp Daily) featuring a collection of six works described as a “tapestry …of oft-dazzling hues” (Textura). The ensemble’s extended family of composers ranges from aspiring students to Pulitzer prize-winning masters including Jared Miller, Juri Seo, Shulamit Ran, Mark Kilstofte, Pascal Le Boeuf, Loren Loiacono, Marc Mellits, and Chen Yihan to name a few. The 2019-2020 season marks Latitude 49’s debut on New Amsterdam Records with the release of their sophomore album, Wax and Wire, featuring works by Sarah Kirkland Snider, Viet Cuong, Annika Socolofsky and L49’s own Chris Sies.
L49 is known for their vibrant, passionate onstage presence, with past performances at the Bowling Green New Music Festival, Ravinia Festival, Chicago Cultural Center, Detroit’s Strange Beautiful Music, Constellation Chicago, the Detroit Institute of Art, and the Ear Taxi Festival in Chicago. Past seasons have seen a succession of specially curated programs, exploring themes through a weaving of music and multi-media: She celebrates the music of seven living women; Labyrinths explores mazes both ancient and modern, literal and imagined; Time Past and Time Present dives into the experiences and mechanisms of memory; This Might Hurt a Little takes a hard look at violence and its cultural permeation; and PLAY! is a playpen in concert form, blurring the lines between performers, composers, and audience members.
Latitude 49 has expanded to foster large-scale collaborations including Love Wounds, a fully-staged production presented in May 2019 with Chicago Fringe Opera, featuring new and established works by Christopher Cerrone during his 2017-2019 Composer Residency. Previous collaborations include performances at (le) Poisson Rouge and The Juilliard School with the Attacca Quartet and a community-focused partnership in Chicago with Chai Collaborative Ensemble to raise funds and awareness for the Chicago Coalition for the Homeless. L49 welcomes composer Juri Seo as Composer-In-Residence for the 2019-2021 seasons in addition to anticipated premieres of new works by Andrew McManus, Gity Razaz, and Evan Ware.
L49 carries its contagious energy beyond the concert hall, with extensive educational work throughout the country. Previous residencies include Baylor University, Princeton University, the University of Michigan, and the University of Illinois at Chicago. The Kenosha Creative Space in Wisconsin has become a frequent home in recent years, hosting the ensemble for multiple educational visits each season. The ensemble has also presented workshops on commissioning and entrepreneurship as part of residencies across the nation at the University of Tennessee Martin, the University of Western Kentucky, Elmhurst College (IL), SUNY Fredonia, and the University of Toledo (OH).
Latitude 49’s name is inspired by the border that rests between Canada and the United States, representing a bridge between artists, composers and listeners of today.
Gabriella Smith’s Number Nine at SUNY Fredonia
Gabriella Smith’s Number Nine is a slow burn of work that explores the unique colors of this sextet instrumentation. Taking inspiration from the famously recorded “Revolution 9” on the Beatles’ seminal White Album, Smith’s rendition takes themes from the recording and arranges them for certain instruments of the ensemble within the incredibly visceral atmosphere she creates. The most recognizable is the famous repetition of “number nine, number nine, number nine…” as heard in the glissandi between the drums and cello.
World Premiere of Jared Miller’s Fuse at (le) Poisson Rouge
Jared Miller’s Fuse explores the joining of many elements into a single entity. The critically acclaimed Attacca Quartet and Latitude 49 combine in a variety of guises while musical motives and harmonic languages are fused into a gradually changing yet unified organism. Fuse highlights the collaborative spirit of these two dynamic groups, and was premiered in March 2017 at (le) Poisson Rouge.
Sarah Kirkland Snider’s You Are Free at SUNY Fredonia
This tender work from Sarah Kirkland Snider brings listeners into a more intimate interaction with the ensemble as voices undulate gently with each other throughout the work. The audio sample featured in the beginning of the work is an interview between Icelandic pop star Björk and seminal composer Arvo Pärt, discussing the effects of music on listeners. Pärt discusses the choice artists have in their work to either cause violence of pain, or perhaps offer healing and solace. We are free to choose, as Snider has expressed in this work.