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Dan Trueman


Dan Trueman is a composer, fiddler, and electronic musician. He began studying violin at the age of 4, and decades later, after a chance encounter, fell in love with the Norwegian Hardanger fiddle, an instrument and tradition that has deeply affected all of his work, whether as a fiddler, a composer, or musical explorer.

Dan’s current projects include: a double-quartet for So Percussion and the JACK Quartet, commissioned by the Barlow Foundation; Olagón — an evening length work in collaboration with singer Iarla Ó Lionáird, poet Paul Muldoon, and eighth blackbird; the Prepared Digital Piano project; a collaborative dance work with choreographer Rebecca Lazier; ongoing collaborations with Irish fiddler Caoimhín Ó Raghallaigh and guitarist Monica Mugan (Trollstilt). His recent albums with Ó Raghallaigh (Laghdú) and So Percussion (neither Anvil nor Pulley) have met with wide acclaim. Upcoming record releases include The Nostalgic Synchronic Etudes for prepared digital piano, to be released by New Amsterdam Records, and The Sideband Chronicles (a Princeton Laptop Orchestra project).

His explorations have ranged from the oldest to the newest technologies; Dan co-founded the Princeton Laptop Orchestra, the first ensemble of its size and kind that has led to the formation of similarly inspired ensembles across the world, from Oslo to Dublin, to Stanford and Bangkok. Dan’s compositional work reflects this complex and broad range of activities, exploring rhythmic connections between traditional dance music and machines, for instance, or engaging with the unusual phrasing, tuning and ornamentation of the traditional Norwegian music while trying to discover new music that is singularly inspired by, and only possible with, new digital instruments that he designs and constructs. His tools of the trade are the first-of-its-kind Hardanger d’Amore fiddle by Salve Hakedal (played with a beautiful baroque bow by Michel Jamonneau), and the ChucK music programming language by Ge Wang.

Dan’s work has been recognized by fellowships, grants, commissions, and awards from the Guggenheim and MacArthur Foundations, the Bessies, the Barlow Endowment, the Fulbright Commission, the American Composers Forum, the American Council of Learned Societies, Meet the Composer, among others. He is Professor of Music and Director of the Princeton Sound Kitchen at Princeton University, where he teaches counterpoint, electronic music, and composition.

Nostalgic Synchronic: Marbles

Etude #4 from Dan Trueman’s Nostalgic Synchronic Etudes for prepared digital piano, performed by Adam Sliwinski. Released by New Amsterdam Records, September 2015. Film by Evan Chapman.

For more information, visit: http://manyarrowsmusic.com/nostalgicsynchronic/

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The title track from an album of original music with Irish musician Caoimhín Ó Raghallaigh. http://irishmusic.net/more/

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neither Anvil nor Pulley

A 42-minute wordless musical epic that explores the human/machine relationship in the digital age. Commissioned by So Percussion.

Check out the second movement, beginning at 6 minutes.

Recorded and released on Cantaloupe Records, June 2013.

For more information: http://www.manyarrowsmusic.com/compositions.html#nAnP

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