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Patrick CastilloBrooklyn, NY
Patrick Castillo leads a multifaceted career as a composer, performer, writer, and educator. His music has been described as “restrained and reflective but brimming with a variety of texture and sound that draws you into its world” (I Care If You Listen) and has been presented at festivals and venues throughout the United States and internationally, including the Chamber Music Society of Lincoln Center, Schubert Club, Birdfoot Festival, Spoleto Festival USA, June in Buffalo, the Santa Fe New Music Festival, Queens New Music Festival, Hot Air Music Festival, National Sawdust, Interlochen Center for the Arts, Bavarian Academy of Music (Munich), the Nuremberg Museum of Contemporary Art, and the Havana Contemporary Music Festival.
Recent season highlights include the world premieres of Music for Four, by Hotel Elefant at St. Bartholomew’s Church (New York, NY); Tria Peccata, by the Experiential Orchestra at the American University Museum at the Katzen Arts Center (Washington, DC); like the tide…, by Areon Flutes at the Center for New Music (San Francisco, CA); and Living is easy with eyes closed, by Quodlibet Ensemble (New York, NY); as well as the Chamber Music Society of Lincoln Center premiere of Incident for violin and piano, performed by Alexander Sitkovetsky and Wu Qian. In 2017, Patrick Castillo appeared as Composer in Residence at the Birdfoot Festival (New Orleans, LA).
Patrick Castillo is variously active as an explicator of music to a wide range of listeners. He has provided program and liner notes for numerous concert series and recording companies: most prolifically for Music@Menlo, a chamber music festival and institute in Silicon Valley for which he served as Artistic Administrator for more than ten years. In this latter capacity, he has led a variety of pre-concert discussion events; designed outreach presentations for middle and high school students; and authored, narrated, and produced the widely acclaimed AudioNotes series of listener’s guides to the chamber music literature. Patrick Castillo has been a guest lecturer at the Chamber Music Society of Lincoln Center, for whose Late Night Rose series he serves as host; Fordham University; the University of Georgia; the Milwaukee Symphony Orchestra; the Chamber Music Festival of the Bluegrass (Kentucky); String Theory at the Hunter (Chattanooga, TN); and ChamberFest Cleveland. From 2010 to 2013, he served as Senior Director of Artistic Planning of the Saint Paul Chamber Orchestra. He is founding composer and managing director of Third Sound; in 2016, he was appointed Executive Director of Hotel Elefant.
Patrick Castillo holds degrees in composition and sociology from Vassar College, where his teachers included Lois V Vierk, Annea Lockwood, and Richard Wilson. He has also participated in master classes with John Harbison, Alvin Lucier, Roger Reynolds, and Charles Wuorinen. While at Vassar, Patrick Castillo served as composer-in-residence for the Mahagonny Ensemble, a collective of performers specializing in twentieth-century music. His Requiem aeternam for mixed chorus and chamber ensemble, composed for the Mahagonny, was awarded the 2001 Jean Slater Edson Prize. He has also been the recipient of the Brian M. Israel Prize, awarded by the Society for New Music for his chamber work Lola.
The Quality of Mercy, an album of Patrick Castillo’s vocal chamber music featuring mezzo-soprano Abigail Fischer, has been praised as “affecting and sensitively orchestrated… [a] gorgeous, masterfully crafted canvas” (Cleveland Classical), and is available on innova Recordings.
The Way Things Work
Third Sound: Karen Kim, violin; Michael Nicolas, cello
Recorded live at St. Bartholomew’s Church, New York, NY, 21 October 2016
Living is easy with eyes closed
Recorded live at Good Shepherd-Faith Presbyterian Church, New York, NY, 20 April 2017
This is the hour of lead: III. Vocalise
Abigail Fischer, mezzo-soprano
Jill Heinke, flute
Kristin Lee, Karen Kim, violins
Jessica Meyer, viola
Hiro Matsuo, cello
Lucille Chung, piano
Ian David Rosenbaum, percussion
Available on The Quality of Mercy (innova 926) – www.innova.mu/albums/patrick-cas…illo/quality-mercy
There are a great number of interlocking gears in motion behind every orchestral programming decision. Understanding this can help all of us in the new music community be constructive, rather...