Pamela Madsen is a composer, sound artist, performer, and curator of new music. From her intimate chamber music creations focusing on image-music-text to her electroacoustic mutli-media collaborations, collected archives of works by women in electroacoustic and organization of new music events she has created a body of work with a profound breadth of vision. Her multi-media operas/music dramas and site-specific sonic environmental works have been commissioned and premiered by such new music performers and ensembles as: soundSCAPE, Zeitgeist, Ethel, Tony Arnold, Aiyun Huang, Jane Rigler, Trio Solisti, Verdehr Trio, ICE flutist Claire Chase, New York New Music Ensemble, California Ear Unit, JACK and Arditti String Quartet, multi-media collaborations with IMAX filmmaker Greg MacGillivray, TED Fellow photographer Camille Seaman, video artist Quintan Ana Wikswo and visual artist Judy Chicago. With a Ph.D. in Composition from UCSD with Brian Ferneyhough, Doctoral studies in Music Theory at Yale University, Post-Doctoral Research at IRCAM and Deep Listening with Pauline Oliveros, her work encompasses rich, complex and diverse perspectives. Selected as an Alpert Award Panelist for 2010, she is a frequent guest lecturer, performer and invited scholar at festivals and universities world-wide. Currently, she is curator of the Annual New Music Festival, World Electro-Acoustic Listening Room Project, Film as Collaborative Art Series, Director of the New Music Ensemble at Cal State Fullerton where she is Professor of Music Composition.
WUPATKI: HOUSES OF THE ENEMIES
Composer, Sonic Design by Pamela Madsen
Text, Poetry, Libretto, Photography, films by QUINTAN ANA WIKSWO filmed on location at Wupatki, Arizona
text first published in HIGH DESERT JOURNAL (c) 2012
Commissioned and Performed by Ensemble Peak FreQuency, UCCS
Guest Composer Residency Concert at University of Colorado, Colorado Springs, Dec. 1, 2012
This collaborative multi-media work is a meditation surrounding a site at the crossroads of gender, death and the desert and the vestiges of genocidal crimes.
Melting Away: Gravity (2011) by Pamela Madsen
for string orchestra, percussion, voice
with projected Arctic Images by Camille Seaman
and spatialized Arctic Sounds
CSUF Symphony Orchestra
Polonium from Luminosity: The Passions of Marie Curie (2013), a 45 minute, 3 act, multi-media opera by Pamela Madsen Composer, video, Quintan Ana Wikswo
Commissioned and premiered by musicians from soundSCAPE, Tony Arnold, soprano, Jane Rigler, flute, Thomas Rosenkranz piano, Aiyun Huang, percussion, March 1, 2013, Cal State Fullerton New Music Festival: Voice in the 21st Century. This work explores Marie Curie’s passion for the invisible– her discovery of radioactive elements which ultimately led to her husband’s and her own demise.