My Awarded Projects
Color Theory 2.0
New Music for Saxophones and Percussion by Susie Ibarra and Tyshawn SoreyCreated By: PRISM Quartet, Inc.
Hybridizing interactive technologies with new works by composers Dan Trueman and Julia Wolfe + filmmakers Mark DeChiazza and Bill MorrisonCreated By: PRISM Quartet, Inc.
Heritage/Evolution: PRISM Quartet with Joe Lovano
The saxophone’s dual histories in classical music and jazz inspire a new collaboration.Created By: PRISM Quartet, Inc.
COLOR THEORY: SAXOPHONES AND PERCUSSION
PRISM Quartet, So Percussion, and Partch Commission, Premiere, and Record New Works by Ken Ueno, Stratis Minakakis, and Steven MackeyCreated By: PRISM Quartet, Inc.
Premiere Recording of Saxophone Quartets by Lee Hyla, Chen Yi, Bernard Rands, David Rakowski, Augusta Read Thomas, and John AdamsCreated By: PRISM Quartet, Inc.
Heritage/Evolution: PRISM Quartet with Ravi Coltrane and Chris Potter
The saxophone’s dual history in classical music and jazz inspires commissions that chart new musical territory.Created By: PRISM Quartet, Inc.
PRISM Quartet, Inc.NYC and Philly NYC Impact Fund
Intriguing programs of great beauty and breadth have distinguished the PRISM Quartet as one of America’s foremost chamber ensembles. PRISM seeks to place the saxophone in unexpected contexts, chart fresh musical territory, and to challenge, inspire, and move audiences. “A bold ensemble that set the standard for contemporary-classical saxophone quartets” (The New York Times), PRISM was founded by students of the renowned Donald Sinta at the University of Michigan in 1984. Shortly after winning the Fischoff National Chamber Music Competition, PRISM was chosen by Musical America as “Outstanding Young Artists,” performed on Entertainment Tonight and National Public Radio’s “Performance Today,” and toured virtually every state in the U.S.
Two-time recipients of the Chamber Music America/ASCAP Award for Adventurous Programming, PRISM has performed in Carnegie Hall on the Making Music Series, in Alice Tully Hall with the Chamber Music Society of Lincoln Center, and throughout Latin America and China under the auspices of the United States Information Agency and USArtists International. PRISM has also been presented to critical acclaim as soloists with the Detroit Symphony and Cleveland Orchestra, and conducted residencies at the nation’s leading conservatories, including the Curtis Institute of Music and the Oberlin Conservatory.
Champions of new music, PRISM has commissioned over 250 works, many by internationally celebrated composers, including Pulitzer Prize-winners Julia Wolfe, William Bolcom, Jennifer Higdon, Zhou Long, and Bernard Rands; MacArthur “Genius” Award recipients Bright Sheng and Miguel Zenón; Guggenheim Fellows William Albright, Martin Bresnick, Chen Yi, Lee Hyla, and Steven Mackey; and jazz masters Greg Osby, Rudresh Mahanthappa, Steve Lehman, and Dave Liebman. In 1997, PRISM initiated its own concert series, now in Philadelphia, New York City, and Ann Arbor, presenting the newest compositions created for the ensemble by composers from around the world.
PRISM’s discography is extensive, with releases on Albany, ECM, innova, Koch International, Naxos, New Dynamic, New Focus, and its own newly launched label, XAS Records (distributed by Naxos). PRISM may also be heard on the soundtrack of the film Two Plus One, by Emmy nominee Eugene Martin, scored by Quartet member Matthew Levy, and has been featured in the theme music to the weekly PBS news magazine “NOW.”
PRISM’s concert series and recordings feature a who’s who of contemporary music makers, including BMOP, Ethel, Sō Percussion, Talujon, Partch, Music From China, Opera Colorado, Cantori New York, Nick Didkovski, Marilyn Nonken, and top jazz artists, including Jason Moran, Chris Potter, Ravi Coltrane, Tim Ries, Jay Anderson, Ben Monder, Bill Stewart, Gerald Cleaver, and John Riley. PRISM has also performed with The Crossing (choir), the New York Consort of Viols, the Chilean rock band Inti-Illimani, as well as Miro Dance Theatre, Nai Ni Chen Dance Company, and the Pennsylvania Ballet.
In 2016, the PRISM Quartet was named by its alma mater, the University of Michigan, as the first recipient of the Christopher Kendall Award in recognition of its work in “collaboration, entrepreneurship, and community engagement.”
PRISM performs exclusively on Selmer saxophones and mouthpieces.
I Will Not Apologize For My Tone Tonight by/with Rudresh Mahanthappa
I Will Not Apologize For My Tone Tonight by Rudresh Mahanthappa was commissioned by PRISM for our Heritage/Evolution project, bridging the saxophone’s dual histories in classical music and jazz. H/E features world premieres of new works composed and performed by today’s most inventive jazz saxophonists, including Steve Lehman, Dave Liebman, Rudresh Mahanthappa, Greg Osby, Tim Ries, Chris Potter, Ravi Coltrane, and Miguel Zenón, with an upcoming commission from Joe Lovano. I Will Not was inspired by https://www.youtube.com/watch?v=ORfbBCYQm-4
Yuan by Lei Liang
Yuan is based on a story that emerged from the Hunan province during the Cultural Revolution. Lacking the means to seek justice, a woman revenged the wrongful death of her husband by wailing like a ghost every night in the woods behind the home of the guilty village official, until they both went insane. – Lei Liang
Jesus is Coming by Jacob TV
JESUS IS COMING, for saxophone quartet and ghettoblaster, is based on street sounds, like voice samples from a very angry evangelist in Times Square and a small Salvation Army choir. For some people, in these confusing times, it’s about time that Jesus is coming.
The rhythmical patterns are based on baby talk by Welmoed, an 18-month-old girl next door. – Jacob TV