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Sandbox Percussion

Brooklyn, NY            

Lauded by The Washington Post as “revitalizing the world of contemporary music” with “jaw- dropping virtuosity,” and “a bombshell of raw-talent” by I Care if You Listen, Sandbox Percussion has established themselves as a leading proponent in this generation of contemporary percussion chamber music. Brought together by their love of chamber music and the simple joy of playing together, Sandbox Percussion captivates audiences with performances that are both visually and aurally stunning. Through compelling collaborations with composers and performers, Jonathan Allen, Victor Caccese, Ian Rosenbaum and Terry Sweeney seek to engage a wider audience for classical music.

Last season Sandbox Percussion presented 35 performances throughout the United States. During a tour through California they gave the world premiere of  Thomas Kotcheff’s percussion quartet not only that one but that one & that too, and were presented on the Festival of New American Music in Sacramento, CA. In collaboration with Ensemble HOWL they gave the world premiere of Amy Beth Kirsten’s Quixote at Montclair State University’s Peak Performances concert series. During the American Music Festival at the Experimental Media and Performing Arts Center (EMPAC) in Troy, NY, Sandbox gave the world premiere of a concerto by Viet Cuong entitled Re(new)al along with the Albany Symphony. During the festival they also gave a recital which featured works by American composers Steve Reich, Christopher Cerrone, and David Crowell.  

In addition to keeping a busy concert schedule Sandbox has also participated in various masterclasses and coachings at schools such as the Peabody Conservatory, Curtis Institute, the University of Southern California, Kansas University, Cornell University, and Furman University. While there they coached students on some of the most pivotal works in the percussion repertoire including Steve Reich’s Drumming, György Ligeti’s, Síppal, dobbal, nádihegedüvel and John Cage’s Third Construction. These teaching experiences have inspired the quartet to pursue a role of pedagogy and mentorship for today’s young generation of musicians. This season Sandbox Percussion will present the second annual NYU Sandbox Percussion Seminar. This week long seminar invites percussion students from across the globe to rehearse and perform some of today’s leading percussion chamber music repertoire. A culminating performance is held at the iconic Brooklyn venue, National Sawdust.

Most recently has marked the quartet’s growing interest in composition. Last season Jonathan Allen’s Sonata and Victor Caccese’s A Part, Apart were featured on ten separate programs throughout the U.S. Sandbox also worked closely with composer David Crowell on a marimba arrangement of his saxophone sextet, Point Reyes. They gave the world premiere in November 2014 in Brooklyn, NY.

This season Sandbox will collaborate with The Industry, an opera company in Los Angeles, for the world premiere of Galileo, a 90-minute theatre piece by Andy Akiho. Other highlights will include a performance of Jerome Begin’s Wilderness in collaboration with the Brian Brooks Moving Company at Choregus Productions in Tulsa, OK, the first ever percussion quartet concert at the Cosmos Club in Washington, DC, a performance of Gyorgy Ligeti’s Síppal, dobbal, nádihegedüvel with mezzo-soprano Elspeth Davis at the Percussive Arts Society International Convention in Indianapolis, IN, and a second west coast tour including 11 performances from Seattle to Los Angeles. Sandbox Percussion endorses Pearl/Adams musical instruments, Vic Firth drumsticks and Remo drumheads.

Extremes, by Jason Treuting

Extremes was composed by Jason Treuting, member of So Percussion, and is part of a larger, evening length work called Imaginary City. Jason is fascinated with patterns that are found in language, and the usage of words as a platform for form and rhythmic structure. For example, certain rhythmic values may be assigned to consonants and vowels to form different grooves. In the case of Extremes, a series of cities in the United States are used to compose the form and rhythmic structure. These cities are grouped together in different ways to create

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Point Reyes, by David Crowell

“Something about the feeling of the piece which is equally exuberant, melancholic, and nostalgic, led me to childhood memories of family explorations in Point Reyes, a place that, depending on the day you visit, is either shrouded in fog and mystery or sunny and epically glorious. I think you can hear this interplay in the emotional shadings of the music.”
-David Crowell

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Part and Parcel, by Thomas Kotcheff

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