My Awarded Projects
So Percussion, Dawn Upshaw, and Gil Kalish seek funds to complete a recording of Caroline Shaw's 'Narrow Sea' (2017)Created By: So Percussion
From Out a Darker Sea
Documenting a project about England's coal coast in order to present the work in museums and galleries.Created By: So Percussion
So Percussion and Shara Nova record ‘Time Line’
So Percussion and Shara Nova (previously Worden) Record 'Time Line'Created By: So Percussion
2020 Young Women Composers Camp
We aim to amplify the voices of young women and work towards closing the gender gap in music composition.Created By: Young Women Composers Camp
Susan Marshall and the Sō Percussion ensemble create a hybrid contemporary dance/new music work based on a visual scoreCreated By: Susan Marshall & Company
COLOR THEORY: SAXOPHONES AND PERCUSSION
PRISM Quartet, So Percussion, and Partch Commission, Premiere, and Record New Works by Ken Ueno, Stratis Minakakis, and Steven MackeyCreated By: PRISM Quartet, Inc.
Branches: So Percussion performances and residency at the Richard B. Fisher Center for the Performing Arts at Bard College
“NYC experimental powerhouse” So Percussion spends a year in residence at the Fisher Center for new music creation, education, & performanceCreated By: Fisher Center at Bard
Studio Recording of Bobby Previte’s TERMINALS
Recording of TERMINALS: five concerti for Percussion and Soloist, with SO Percussion, Nels Cline, John Medeski, Zeena Parkins, Bobby PreviteCreated By: Bobby Previte
more events »
more followed projects »
So PercussionBrooklyn, NY NYC Impact Fund
Sō Percussion is a percussion-based music organization that creates and presents new collaborative works to adventurous and curious audiences and educational initiatives to engaged students, while providing meaningful service to its communities, in order to exemplify the power of music to unite people and forge deep social bonds.
Through its sensational interpretations of modern classics, innovative multi-genre original productions, and “exhilarating blend of precision and anarchy, rigor and bedlam,” (The New Yorker), Sō Percussion has redefined the scope and role of the modern percussion ensemble, placing it at the leading edge of 21st-century music.
In December 2019, Sō Percussion made a triumphant return to Carnegie Hall for a sold-out performance of “A Percussion Century,” a sprawling exploration of the modern percussion repertoire including works by composers Cage, Lang, Reich, and Xenakis as well as works by Carlos Chávez, Johanna Beyer, and the New York premiere of Sō’s newest commission, Forbidden Love, a string quartet by Julia Wolfe. Other 19/20 highlights include a Miller Theatre Composer Portrait of frequent Sō collaborator, Caroline Shaw (with whom Sō has a new album due this season); David Lang’s man made and Lully’s Le Bourgeois gentilhomme with Louis Langrée and the Cincinnati Symphony; dates in Paris, Lithuania, and throughout the US. Sō also collaborated with choreographer John Heginbotham on a new ballet, RACECAR, premiered as part of The Washington Ballet’s season-opening production, NEXTsteps.
This season Sō celebrates its sixth year as the Edward T. Cone Performers-in-Residence at Princeton University and welcomes the appointment of flutist, composer, and vocalist Nathalie Joachim as the ensemble’s inaugural Andrew W. Siegel Composition Fellow. 19/20 also marks the release of album collaborations with Dan Trueman and the JACK Quartet (Songs that are Hard to Sing, from New Amsterdam), and with indie duo Buke and Gase.
Rooted in the belief that music is an essential facet of human life, a social bond, and an effective tool in creating agency and citizenship, Sō Percussion enthusiastically pursues a growing range of social and community outreach. Examples include their Brooklyn Bound presentations of emerging artists and composers; commitments to purchasing offsets to compensate for carbon-heavy activities such as touring travel; and the Sō Percussion Summer Institute (SōSI), an intensive two-week chamber music seminar for percussionists and composers. Now in its second decade, SōSI features community performances, new work development, guest artist workshops, and an annual food-packing drive, yielding up to 25,000 meals, for the Crisis Center of Mercer County through the organization EndHungerNE.
Music for Wood and Strings by Bryce Dessner
Music for Wood and Strings combines the sound world of an electric guitar and dulcimer with the percussionist’s toolkit. These are simply designed double course string instruments which are played like a dulcimer, but which are specifically built and tuned to implement a more evolved hybrid of the chorale hocket.
Where (we) Live
So Percussion’s ‘Where (we) Live’ – world premiere at the Walker Art Center in Minneapolis. Joined by singer/guitarist Grey McMurray, choreographer Emily Johnson, video artist Martin Schmidt, director Ain Gordon, and artist Kate Farstad.