My Awarded Projects
Splinter ReedsOakland, CA
Splinter Reeds is the West Coast’s first professional reed quintet, comprising five virtuosic musicians with a shared passion for new music. The ensemble is committed to presenting top tier performances of today’s best contemporary composition, showcasing the vast possibilities of the reed quintet, and commissioning new works through collaboration with fellow musicians and artists.
Splinter Reeds’ dynamic instrumentation is an evolutionary detour from the traditional woodwind quintet with the advantages of a more closely related instrument family. The ensemble formed in 2013 with the coming together of five colleagues highly active in multiple facets of the Bay Area’s vibrant music scene: Kyle Bruckmann (oboe), Bill Kalinkos (clarinet), David Wegehaupt (saxophones), Jeff Anderle (bass clarinet), and Dana Jessen (bassoon). The sum of their wide ranges of experience spans settings including free jazz, improvisation, electronica, indie pop, postpunk and metal in addition to their conservatory foundations. Their past and ongoing ensemble performance credits also include the San Francisco Contemporary Music Players, Alarm Will Sound, Sqwonk, Anubis Saxophone Quartet, Rushes Ensemble, sfSound, Eco Ensemble, and Ensemble Dal Niente, along with numerous other orchestral and classical chamber music engagements.
Distinguishing itself even within the small network roughly 20 professional reed quintets currently active worldwide, Splinter is explicitly committed to the cutting edge of contemporary composition, freely juxtaposing multiple styles and aesthetics in their programming in order to enthusiastically share adventurous new music with the widest possible audience. The quintet has worked closely with such composers as Eric Wubbels, Sky Macklay, Marc Mellits, Paula Matthusen, and Ken Ueno, while presenting North American premieres by European-based composers Dai Fujikura, Matthew Shlomowitz, and Yannis Kyriakides.
Based in Oakland, CA, the ensemble maintains an active performing and teaching schedule at festivals, chamber music series, and educational institutions across the country. Highlights from recent seasons include engagements at BAMPFA, Mondavi Center for Performing Arts, Chicago’s Constellation, Festival of New American Music (Sacramento), Stanford University’s CCRMA, Switchboard Music Festival, Blue Sage Center for the Arts (Paonia, CO), Lawrence Conservatory of Music, Northwestern University, Arizona State University, San Francisco Center for New Music, and the April in Santa Cruz Festival of Contemporary Music.
The ensemble’s debut album, Got Stung (2015), features two of their own commissions and four premiere recordings. The self-released album comprises new works for reed quintet by composers Marc Mellits, Erik DeLuca, Ryan Brown, Kyle Bruckmann, Ned McGowan and Jordan Glenn. Their second album, Hypothetical Islands (forthcoming from New Focus Recordings in March 2019), features six premiere recordings, including their commissions from Eric Wubbels, Theresa Wong, Cara Haxo, and Sky Macklay.
Line and Length (2007) – Matthew Shlomowitz
Splinter Reeds – www.splinterreeds.com
Matthew Shlomowitz – www.shlom.com
Recorded live at the San Francisco Conservatory of Music
January 13, 2014
Splinter (2014) – Marc Mellits
First two (of eight) movements: I. Scarlet Oak, II. Sugar Maple
Recorded live at Festival of New American Music in Sacramento, CA, on November 6, 2016