My Awarded Projects
COLOR THEORY: SAXOPHONES AND PERCUSSION
PRISM Quartet, So Percussion, and Partch Commission, Premiere, and Record New Works by Ken Ueno, Stratis Minakakis, and Steven MackeyCreated By: PRISM Quartet, Inc.
Alternative Guitar Summit
A yearly festival featuring new and unusual approaches to the guitarCreated By: joel harrison
Steven Mackey was born in 1956, to American parents stationed in Frankfurt, Germany. He is regarded as one of the leading composers of his generation and has composed for orchestra, chamber ensembles, dance and opera. His first musical passion was playing the electric guitar, in rock bands based in northern California. He blazed a trail in the 1980’s and 90’s by including the electric guitar and vernacular music influence in his concert music. He regularly performs his own work, including two electric guitar concertos and numerous solo and chamber works. He is also active as an improvising musician and performs with his band Big Farm.
Mackey’s orchestral music has been performed by major orchestras around the world, from the Los Angeles Philharmonic, San Francisco and Chicago Symphonies, the BBC Philharmonic, Concertgebouw orchestra, and the Austrian Radio Symphony, to the Sydney Symphony and Tokyo Philharmonic. As a guitarist, Mackey has performed his chamber music with the Kronos Quartet, Arditti Quartet, London Sinfonietta, Nexttime Ensemble (Parma), Psappha (Manchester), and Joey Baron.
Stumble to Grace, his piano concerto for Orli Shaham, co-commissioned by the LA Philharmonic, the St. Louis and New Jersey Symphonies and TONIC, an orchestral work for the Chamber Orchestra of Philadelphia have recently premiered.
He is currently working on piece for the Brentano String Quartet jointly commissioned by Carnegie Hall and the Nasher Museum in Dallas to commemorate the 50th anniversary of the assassination of President Kennedy and a commission from the Aquarium Of The Pacific to celebrate the “Urban Ocean.” Upcoming projects include a large multi-movement symphonic work for the Los Angeles Philharmonic and a trumpet concerto for virtuoso Hakan Hardenberger commissioned by the Swedish Chamber Orchestra.
Mackey has been honored by numerous awards including a Grammy, several awards from the American Academy of Arts and Letters, a Guggenheim fellowship, Stoeger Prize from the Chamber Music Society of Lincoln Center, Kennedy Center Friedheim award and many others. He has been the composer-in-residence at major music festivals, including Tanglewood, Aspen and the Holland Festival.
His monodrama, Ravenshead, for tenor/actor (Rinde Eckert) and electro-acoustic band/ensemble (the Paul Dresher Ensemble), has been performed nearly 100 times and is available on a MINMAX CD. In a year-end review of cultural events, USA Today crowned the work the “Best New Opera of 1998.”
There are a dozen CD’s of Mackey’s music and many other CD’s that contain individual works. Dreamhouse (2010) and Lonely Motel: Music From Slide (2011) were each nominated for 4 Grammy awards. Mackey won a Grammy for Best Small Ensemble Performance for Lonely Motel.
Mackey is currently Professor of Music and chair of the Department of Music at Princeton University, where he has been a member of the faculty since 1985. Helping to shape the next generation of composers and musicians, he teaches composition, theory, twentieth century music, improvisation, and a variety of special topics. He regularly coaches and conducts new work by student composers, as well as 20th-century classics. He was the recipient of Princeton University’s first Distinguished Teaching Award in 1991.
Mackey’s web site is www.stevenmackey.com. His music is published by Boosey & Hawkes. He lives in Princeton New Jersey with his wife, composer Sarah Kirkland Snider, and their son Jasper and daughter Dylan.
Four Iconoclastic Episodes (2011) II: Salad Days
Double Concerto for Electric guitar, Violin and Chamber Orchestra. Steven Mackey – electric guitar, Anthony Marwood – violin, Irish Chamber Orchestra.
Stumble to Grace (2013) Stage 1
Concerto for Piano and symphony orchestra. Orli Shaham – piano, Sydney Symphony, David Robertson – conductor.
Jim’s own music exemplified human oddity. It certainly did not aspire to impress or even express; it revealed. He was way out there. But Jim didn’t just get washed up...
Steven Mackey reminisces about his former teacher Donald Martino, a composer of sensual and sometimes even schmaltzy serial music, who died last week.