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Terry Longshore

Ashland, OR         

Terry Longshore is a percussionist based in Ashland, Oregon whose genre-crossing work exhibits the artistry of the concert stage, the spontaneity of jazz, and the energy of a rock club. Whether collaborating with multi-media artists, composing live music for dance and theatre, or premiering works by today’s most ground-breaking composers, Terry Longshore brings a dynamic voice to every musical encounter. From concert venues in the Americas, Europe, and Australia to flash mobs in Amsterdam, he has concertized and performed throughout the world. He is the co-artistic director of multi-media duo Left Edge and flute and percussion duo Caballito Negro, and performs with flamenco ensembles Flamenco Pacifico and Dúo Flamenco. He has performed extensively with ensembles Skin & Bones, red fish blue fish, Conundrum, and Sonoluminescence, among others and has performed at numerous festivals including the Bang on a Can Marathon in New York City, the Los Angeles Philharmonic Green Umbrella Series, the Britt Music & Arts Festival, the Transplanted Roots International Percussion Symposium (Montreal), the Cabrillo Music Festival, the Oregon Shakespeare Festival, the Festival of New American Music, and has been featured numerous times at the Percussive Arts Society International Convention (PASIC). His compositions for percussion have been performed at festivals and competitions throughout North America, South America, Europe, Asia, and Australia.

Longshore can be heard on numerous recordings and has premiered over 90 compositions for solo percussion, percussion ensemble, chamber ensemble, symphony orchestra, theatrical works, and more. His recordings include the percussion music of Iannis Xenakis for Mode Recordings, music of percussion maverick William Kraft on Albany, Michael Gordon’s Natural History on Cantaloupe Music, and multiple CDs for Stanford University composer Mark Applebaum on the innova and Tzadik labels. Terry Longshore is a Yamaha Performing Artist, a Marimba One Vibe Artist, and an artist endorser for Zildjian Cymbals, Vic Firth Sticks and Mallets, Remo Drumheads, Gon Bops Percussion, and Beato Bags, and is a member of the Black Swamp Percussion Education Network. He is a trained HealthRHYTHMS facilitator.

Terry Longshore holds bachelor’s degrees from the California State University at Fresno (Business Administration – Computer Applications and Systems) and Sacramento (Music – Percussion Performance) and earned the master’s and doctoral degrees in Contemporary Music Performance from the University of California, San Diego. His education includes significant study of Spanish flamenco and the classical music of India, including study at the Ali Akbar College of Music. His teachers include Steven Schick, Daniel Kennedy, Swapan Chaudhuri, Ronald Holloway, David Glyde, Chuck Flores, and Kartik Seshadri. He holds the position of Professor of Music at the Oregon Center for the Arts at Southern Oregon University where he directs Left Edge Percussion and the Southern Oregon University Percussion Ensemble, teaches courses in Percussion, Music Business, and Contemporary Art & Music and is Coordinator of the Music Graduate Program.

30 – Mark Applebaum (2013)

The premiere performance of “30” by Mark Applebaum. Performed by Terry Longshore and the Southern Oregon University Percussion Ensemble. “30” consists of three simultaneous autonomous pieces (which may be played individually or together): “The First Decade” for solo percussion; “The Second Decade” for percussion quartet; and “The Third Decade” for percussion septet. Terry Longshore performs the solo part in this premiere performance. TL and the SOU Percussion Ensemble were the lead commissioners of 21 ensembles worldwide for “30”.

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World premiere of “Penumbra” by David Bithell and Terry Longshore. May 19, 2014 @ the Schneider Museum of Art as a part of the Oregon Fringe Festival.

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Strings Attached

Left Edge Percussion performs Erik Griswold’s “Strings Attached”.

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