On the weekend of  March 6-8 2020, the In Series will mount a festival of operas and staged vocal works by living female composers. Taking place at GALA Hispanic Theatre in Washington, DC, the centerpiece of the festival will be six performances of two fully staged operas, both local premieres. The first of these is Kate Soper’s “Here Be Sirens”. This remarkable work which blends contemporary music with theatrical dialogue fits the profile of the work created by the In Series, but is meant to introduce our audiences to new music by a living composer, a new step for our organization. The In Series also has a long history of Latin American programming and programming for families. As part of honouring this tradition, the 2020 Women Composers Festival will also include “Ana y Su Sombra” by Gabriela Ortiz, introducing important new music to our young audiences. The festival will also include three performances of a staged concert of vocal chamber music by female composers including Kate Soper’s “Only The Words Themselves Mean What They Say”, Emily Lau’s “Emily Dickinson Songs”, Ana Sokolovic’s “Love Songs” and local composer Jessica Krash’s “Sulpicia’s Songs” and “Cantigas de Amigo”. Finally the festival culminates with the announcement of a new opera by Jessica Krash to be presented in 2021 as part of the In Series’ 40^th anniversary season.

The In Series’ 2019-2020 Lean-IN season culminates with this festival celebrating the brilliance of living female composers – composers who have been under-represented in the classical music scene of the nation’s capital, as well as in the canon of works produced by the In Series. As part of a new vision for the company to radically reshape the image of who makes opera, we have devised a festival that will change our audience’s perceptions. Artists from the In Series’ core group of artists will perform, produce, design, and direct these 10 performances of 10 works by 6 living female composers. A series of free outreach events will include panels with composers and performers on the role of female composers in today’s new music industry, as well as a public conversation with Anne Midgette of the Washington Post who has championed the catalogue of operatic works by living women composers. All of our performances feature audience talk-back sessions, and “Ana y Su Sombra” will, through a partnership with the DC collaborative, thereafter be offered as a field trip experience to DC Public Schools.