35th Anniversary World Premiere with Zakir Hussain
Widely considered a chief architect of the contemporary world music movement, Indian tabla master Zakir Hussain is drenched in Eastern Classicism, yet looks to Western influences to explore and experiment. Meanwhile, choreographer Alonzo King combines principles of transcendental Eastern thinking with the foundation of Western ballet’s classical forms and techniques.
Over the past two decades, King and Hussain have worked together on multiple artistic collaborations to push the boundaries of creative expression, despite the demands and structure of their respective disciplines.
Their partnership will reach its zenith in a special world premiere collaboration for Alonzo King LINES Ballet’s 35th Anniversary Season: April 6-15, 2018 at Yerba Buena Center for the Arts (YBCA) Theater in San Francisco. The project will feature an original composition and live performance by Zakir Hussain.
The intention of King and Hussain’s newest work is to marry dance with vibration in a transformational sense. While music is the vibration of sound, dance is the vibration of form. And both are vehicles for thought; dance is thought made visible and music is thought made audible, which lends to their transformative power.
King’s goal is not to abandon the classical ideal, but to broaden its potentiality for endless possibilities by seeing ballet as a science – founded on universal, geometric principles of energy and evolution – not a style. Similarly, Hussain has focused on bringing new life to classical tabla music, which began as dancing music in Northern Indian courts in the 1700s.
The very heart of Indian music is the raga: the fixed melodic form upon which the musician improvises. Like the classical language of movement upon which King is ever-expanding, the raga provides a framework for endless rhythmic variation and improvisation by Hussain.
The project will serve approximately 5,500 people through eight performances at YBCA. LINES Ballet attracts a diverse audience in terms of age, class, and ethnicity, and is consistently working to expose a wider range of people to the transformative power of dance through works that resonate beyond traditional ballet audiences. The project will reach a broader base through engagement events including lecture/discussions, and rehearsal live streaming and videos, which will share the creative process of the collaborators.
The work will become part of LINES Ballet’s touring repertoire, allowing the company to share its vision for transformative, revelatory dance worldwide. The tour performances will reach up to 40,000 additional people. LINES repertory works are also often taught to LINES Education Program students, expanding the artistic reach of the project.
“Rasa”, featuring an original score by tabla virtuoso Zakir Hussain, was called “an intriguing wonder” by the New York Times. Rasa is both a continuation of a deep Indian tradition–the interdependence of dance and tabla music as art forms–and an expression of the contemporary global vision of both Hussain and LINES Ballet.
Footage: November 21, 2014 with live tabla music by Zakir Hussain and Kala Ramnath.
Commissioned in 2010 by Les Ballets de Monte-Carlo, King’s masterful “Writing Ground” draws inspiration from poems by award-winning author Colum McCann. The emotionally searing and lyrical work is set to a collection of sacred early music from the Jewish, Christian, Muslim, and Tibetan Buddhist traditions. The work challenges the company to explore new physical territory and emotional depth, and “illustrates the power of Alonzo King’s story-telling at its height” (Huffington Post).
Footage: November 2, 2013.
“SAND” (2016), Alonzo King’s most recent musical collaboration, was a partnership with generations of jazz masters: tenor saxophonist Charles Lloyd and pianist Jason Moran. King was actively involved in the composition process, and the ballet was developed together by all three artists through discussions and the constant sharing of work-in-progress. The San Francisco Chronicle called the work an “instant classic” and found the score to be “effusive, sophisticated and lyrical”.
Footage: April 23, 2016 with live performance by Lloyd and Moran.
Start and End Dates
04/06/2018 — 04/15/2018
San Francisco, California