Chunky in Heat
Experiments in Opera, in collaboration with Contemporaneous, presents the premiere of the newly-commissioned opera, Chunky in Heat, at the Flea Theater in New York City from May 31 – June 2, 2019. Celebrated author A.M. Homes wrote the libretto for Chunky in Heat based on her own short stories about a teenage girl who struggles to break free from her oppressive family in contemporary Los Angeles. Experiments in Opera has commissioned six stylistically-diverse composers to contribute music: Jason Cady, Paula Matthusen, Erin Rogers, Aaron Siegel, Shelley Washington, and Matthew Welch. Each composer will write a 15-minute section of music that will be ‘sewn’ together with other sections into a full 100-minute opera, which will be fully-staged under the direction of Alison Moritz.
Multi-composer projects provide an opportunity for artists to work within a community, and learn about their own work and that of others in more meaningful ways. Splitting up the composing responsibilities allows us to produce the work of a range of composers more quickly and include artistic voices that might not otherwise make it to the opera stage. Additionally, Chunky in Heat features a character of the Talking Tree, an Alexa-like artificial intelligence technology that records the goings on of the featured family in their home. We learn throughout the opera that each family member has a different perspective on their collective history. We split up the libretto so that each composer’s musical voice represents a different character’s perspective in the story. Heard together, they create an aural collage that mimics the fractured reality of shared history.
We selected the composers for this project based on their experiences writing for voice and their different stylistic approaches to connecting sound and narrative. Composer/Performer Erin Rogers brings a large body of work as a performer of new music and a creator of potent theater experiences; Composer/Performer Shelley Washington brings her exciting voice as a saxophonist and truth-teller of powerful narratives; and composer Paula Matthusen brings her sonic experiments with electronic and fixed media. EiO co-founders Jason Cady, Matthew Welch, and Aaron Siegel complete the roster of composers, bringing their eight years of experience facilitating collaborations among a diverse set of artists. Support from New Music USA will go directly towards the commission fees for these six composers.
Chunky in Heat is a collaboration with Contemporaneous, who will be the orchestra for the premiere production. Together, we selected the commissioned composers, the instrumentation of the orchestra, and the singers. Chunky in Heat will be the final show in Experiments in Opera’s 2018-2019 season residency at the Flea Theater. Our fall 2018 show, Modularias, was a sold-out run of micro-operas for voice and modular synthesizer. For all of our shows at The Flea, we rely on our robust marketing and publicity efforts, including a 3,500+ email list, paid social media ads, and a strong relationship with an outside publicist that has led to regular previews and reviews in New York area and global print and online publications.
This video, featuring the Brooklyn Youth Chorus performing Shelley Washington’s “The Farthest”, exemplifies the way in which Shelly’s work uses strong rhythmic language to accentuate text and narrative. It is also a great example of how Shelley is attuned to telling stories that resonate with young voices and perspective. ‘Chunky in Heat’ is a youth-focused story, and Shelley’s sensitivity to these issues has already proven very helpful.
This video features a recent composition by Erin Rogers for violin and viola during the performance of which both musicians speak. In addition to displaying a wide palate of sounds and extended techniques, this video illustrates Erin’s keen ideas about how to stage a performance to maximize dramatic impact through the position of performers and their spatial relationships to one another.
This video features Paula’s unique interest in the physical qualities of performance, as well as the intersections between electronically produced sounds and acoustic material. Given the core dialogue in Chunky in Heat around the place of technology in our lives, Paula’s music has been extremely helpful in surfacing these issues.
Start and End Dates
05/31/2019 — 06/02/2019
New York, New York