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Christopher Trapani: Anyplace Else (2012)

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“The music of Anyplace Else oscillates between three poles. The first is line — linear motion, often heard as a duet between two closely linked voices — sometimes nearly superimposed, like the muted piano and guitar at the outset, or sometime at a larger imitative distance, like the bass flute and viola with practice mute about two-thirds of the way through the piece.”