As we ready FALLING OUT for a premiere in October 2018, we asked Sierra Urich to document our process of research and development in Japan and in the US. This video offers a unique insight into the impulses and process behind the creation of FALLING OUT.
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Falling Out – Work in Progress
Falling Out (Flood)
When Jessica returned from Japan, it was clear she was permanently changed by her experience. The dichotomy between the catastrophic aftermath of the tsunami and the splendor of Japanese culture were at two opposite ends of the spectrum. However, it was the people and their integrity that moved her the most.
This piece of music for Falling Out attempts to portray the Japanese people straddling a world that is steeped in both glorious beauty and horrifying tragedy, in ancient lauded tradition and forward facing future technology…and in particular, how the people who suffered so much loss in the tsunami live in a liminal state between wanting to know the truth and wanting to stay in their memories.
I would also like to point out that the cello sample here is only a place holder until the brilliant Jeffrey Zeigler records the real thing.
DIrector Jessica Grindstaff returns from a 3 month research trip to Japan for FALLING OUT
Co-artistic director of Phantom Limb Company traveled to Japan to visit Fukushima and points North that were devastated by the 3.11 earthquake, tsunami and radioactive fallout. Jessica filmed and collected audio data; interviews, environmental sound and traditional music specific to Tokohu. These elements have just begun to be layered into the piece and will continue to be woven in as Erik Sanko moves forward with compositions- often incorporating the found sounds and interview audio into the pieces.
We’re delighted to share this short video that features excerpts from our initial developmental residency hosted by the Lower Manhattan Cultural Council’s Process Space Program. Stay tuned for updates from our early 2018 residency at CalArts Center for New Performance.
FALLING OUT is the final installment in Phantom Limb Company’s multi-disciplinary environmental trilogy, creating theatrical and emotional calls to agency around climate crisis. Conceived and directed by visual artist and Phantom Limb Artistic Director Jessica Grindstaff, the story of FALLING OUT pivots on the myriad environmental ramifications of the 2011 tsunami that struck the Fukushima Daini Nuclear Power Plant in Japan.
This live theatrical performance, which will tour nationally in 2017-2018, features an ensemble of actor/dancer/puppeteers performing to an evocative and complex original musical score by composer Erik Sanko. Through music, we will be identifying places and cultures where the relationship to water is critical – either in lack of or impending rises. The music of the Vanuatu women water drumming, the music of New Orleans, Traditional Tahitian music, and Okinawan will be sonically woven and layered into the narrative so that the audience feels immersed in the soundscape, as if they were swimming in a global environment. A key element of the development of this piece is travel to Japan to record natural sounds, portions of interviews and recordings of traditional folk music from the Fukushima region which will all be interwoven into the score for the piece.We are also researching the science of radiation in order to find a way to identify it musically.
Chanteuse Jennifer Charles (of Elysian Fields) and Erik Sanko will give voice to the metaphoric female and male characters in the play, bringing the theoretical effigies of the future into the present world. In both consonance and dissonance, our future selves navigate the uncertain seas of relationship both to one another and to our ever-shifting environment.
Into our musical exploration we will weave concrete stories of a romantic break up (or a falling out) as a metaphor for the loss of deep connection we once had to the earth. Crinoline mountains moving slowly across the stage by invisible forces will serve as the physical manifestations of water and radiation. The end result will be a beautiful and meditative piece of theater that will seep into the consciousness of our audiences to ignite in them an emotional call to action.
With this production, Phantom Limb will continue to deepen our practice of non-verbal storytelling through puppetry, design installation, music, and dance. This hybrid performance form will allow us access to a new emotional well from which we can cast light upon our connection to and responsibility toward water and the environment.
We know from our past work that the best way to awaken people to these topics is through poetry and storytelling. The abundance of data and empirical evidence supporting the rapid onset of climate change has done little to impact human behavior. It is, we believe, up to the artists to find new ways to broach the topic. We are confident that this production will creatively redefine the limits of the various art forms it employs, ultimately helping to change public discourse around climate change.
“Animals” was recorded in 2013 and features Erik Sanko. The song is representative of how Sanko writes music for theater. First, it is a new iteration of a lyric piece that is used as a leitmotif throughout the play, serving in place of words to gently guide audiences through the narrative. It also utilizes source material sounds that are related to the subject matter such as the sound of an axe falling and the field recordings of the actual Methuselah Tree.
These two musical excerpts from Phantom Limb Company’s’ MEMORY RINGS – currently on tour – demonstrate the way we imbed cultural and environmental cues in the music. There are elements of the Balinese “Ketjak” – a piece in which 100 performers imitate monkeys coming to the aid of Prince Rama, as well as the singing of the Baka pygmies. The second excerpt has former Kronos Quartet cellist Jeffrey Zeigler playing over the sound of a recording of crickets slowed down 100 times.
Start and End Dates
10/01/2016 — 05/31/2018
New York, New York