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In the Brink – New Work for Bergamot Quartet + Percussion

A new work for the Bergamot Quartet + percussionist Terry Sweeney that extends the quintet, comparing moral and environmental corruption.

The Latest Update

In the Brink completed!

Posted on November 14, 2019 by Ledah Finck

Dear friends,

 

I’m overjoyed to share with you that In the Brink is beginning its life as a full-on and finished (for now at least) piece! After a summer’s work I completed it at the beginning of October, and after a weekend of workshopping with my truly wonderful fellow members of the Bergamot Quartet and percussionist Terry Sweeney, we gave a soft premiere for a small but beautiful and encouraging audience at So Percussion’s Brooklyn Bound series. Since then, we’ve presented the first movement during our residency at Towson University, performed the entire work in El Paso, TX with amazing UTEP student Kody Jones, and talked about it to music appreciation classes. 

We can’t wait to be back with our collaborator Terry Sweeney, who has been so fun and inspiring to work with as he plays drum kit like a wizard. Terry will join us in Baltimore this Saturday, where we’ll get to present the Baltimore premiere at one of my favorite local venues, the Red Room. And we’re working on programming it all throughout our upcoming season, culminating in a weeklong tour in the South the last week of May 2020.

In the Brink is 20 minutes long and in four movements. It contains text I wrote that is spoken and sung by the quartet, improvised passages for the quintet, and rockets between spacious, atmospheric sounds and driving rhythms. I tried to steer clear of drum grooves that would place the kit within a particular style, wanting to meld the five instruments into a cohesive and unique ensemble. In the end, quartet and percussion truly come together (pictured!) 

I’m so grateful I had the opportunity to write this piece. We hope we get to play it for you soon!

 

Love,

Ledah

Overview

In 2018, I wrote a piece for ensemble (premiered by Alarm Will Sound) called The Thicket. This work was a reflection on the tangled web of the human mind and the bushwacking that’s necessary as we learn how to find others in the “thicket” of experience and personality that exists within and between us. The piece depicted this literally, as a dense landscape thick with flora and punctuated by utterances from solo instruments; notation was frequently in graphic form.

The proposed product of this project is a new work initiated as a companion piece to The Thicket, which I will compose for the Bergamot Quartet + percussionist Terry Sweeney. The working title is In the Brink, and while The Thicket is primarily from the perspective of an individual, In the Brink uses the same environmental metaphor to address communication between large entities of people, particularly in light of the intolerance and lack of consideration for marginalized populations that permeates the current sociopolitical climate of the United States of America and its government. The nature-images sonically depicted in The Thicket will correspond with current human-accelerated natural disaster: fire, flood, damage to ecosystems. The “brink” references an observation that I have heard many times since the 2016 presidential election: that we are on the brink of some tipping point in America, that perhaps it will either go up in flames or that the wave of positive activism that has been sparked will inspire further generations for real change. I interpret this brink as a no-man’s-land, a swamp that might dry up or become a lake; a state of being that we are very much in.

The Bergamot Quartet, a Baltimore-based string quartet of which I am a violinist, specializes in interpreting the works of living composers, especially women. For this work we are in collaboration with Terry Sweeney, a member of Sandbox Percussion. Bergamot has extensively performed George Crumb’s Black Angels and this new work will seek to augment the quartet+percussion using the members’ voices and auxiliary instruments in the way that Crumb’s masterpiece does. I plan to find or write a text which will be interpreted in theatrical/spoken parts for all players within the piece.

The completed work will last 10-20 minutes, and will be premiered at our residency at Towson University in October 2019, with Bergamot + Terry workshopping it together over the summer. We have had a full performance schedule for the duration of our time together as a professional ensemble and plan to perform the work many other times. I believe that the importance of creating new works such as these lies in the power of live music to encourage empathy in listeners, and our goal is to present In the Brink during a tour to venues and locations outside our usual stomping grounds in Baltimore/DC/NYC’s more liberal communities. Ideally, we would bring this piece as part of a longer program to the southern United States, where I and the other Bergamot violinist grew up.

Project Media

“The Thicket” by Ledah Finck
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Features: Ledah Finck, Amy Tan

Performed on November 9, 2018 at Griswold Hall (Peabody Institute) by Now Hear This/Alarm Will Sound

The thicket is a place to become dangerously lost in but also a place to retreat to, and occasionally we are lucky enough to stumble into someone else’s thicket and explore the flora there, keeping a close eye out for thorns. While words might provide only a meager drapery for an emotion too vast to see all the sides of, music does the opposite. A whole universe of forests and gardens is possible and a listener can populate that sonic space.

“Black Angels” by George Crumb
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The Bergamot Quartet’s performance of Black Angel at the Banff Centre, summer 2018

“Deciduous” by Andy Akiho
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Features: Terry Sweeney

Performed by Terry Sweeney and Jennifer Liu

Start and End Dates

06/01/201905/31/2020

Location

Baltimore, Maryland

1 update
Last update on November 14, 2019

Project Created By

Baltimore, Maryland
Ledah Finck is a violinist, violist, improviser, and composer residing in Baltimore, Maryland. A passionate performer, creator, and curator of  contemporary classical music, she is an active member of experimental duo The Witches, the Bergamot String Quartet, Atlantic Extraction (jazz quintet led by bassist Nick Dunston) and earspace ensemble. In addition to music for those ensembles, she has…

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