Posted by: Bill Ryan
Over the next year we will be introducing you to the team members behind our project. This will lead us up to the fall 2015 premieres. Now up–Todd Reynolds, who is composing a work for our ensemble and the voice of Meredith Monk.
Our relationship with Todd goes back to 2006, when he was an early guest on GVSU’s Free Play concert series. During that visit he also made a surprise appearance with us, in this epic performance of John Cage’s 4’33”. Todd has been a guest with us an astounding seven times—which will hit eight when he performs here this April. Why so many? Quite simply, because the great experiences he has to offer our community can’t fit into any single visit. Not even close. He’s worked with us as a violinist, as an electronic artist, as a software guru, as a conductor, as a Soundpainter, as a chamber musician, as a composer, as an entrepreneur, and as a teacher, and has left a legacy of friendships, collaborators, and deeply inspired students and faculty. Todd contributed a fabulous track to our 2009 In C Remixed project, and is now writing for us again, composing a work utilizing the voice of his longtime collaborator Meredith Monk. For more information on all things Todd, check out his website, or better yet, go see him on Broadway tonight!
Next month: Zoe Keating
Posted by: Bill Ryan
Over the next year we will be introducing you to the team members behind our project. This will lead us up to the fall 2015 premieres. Now up–Anna Clyne, who is composing a work for our ensemble and the voice of John Cage.
We first met Anna in 2007 when she came through Ann Arbor for the premiere of her Next.Stop. She was quiet, unassuming, and just filled with great ideas and music. Over the next few years it was fun to watch her slowly take over the world, becoming an integral part of the Chicago Symphony Orchestra, completing residencies at Mizzou and Cabrillo, and receiving commissions from the Bang on a Can All Stars, American Composers Orchestra, Carnegie Hall, Houston Ballet, London Sinfonietta, Los Angeles Philharmonic, Metropolis Ensemble, and the Orpheus Chamber Orchestra.
We wore out her 2012 CD Blue Moth, which led to us to performing her work 1987 on our fall 2013 concert, and then to us seeking her out to be involved with this project. The textures she creates in her music, which often merge electronics and acoustic instruments, are completely engaging and otherworldly. And now we’re going to be in the middle of them. We can’t wait!
Posted by: Bill Ryan
Over the next year we will be introducing you to the team members behind our project. This will lead us up to the fall 2015 premieres. Now up–Roshanne Etezady, who is composing a work for our ensemble and the voice of Joan Tower.
The compositional state of affairs in Michigan recently took a giant step forward this past fall when Roshanne moved to Ann Arbor (while saxophonists rejoiced as this guy tagged along). Need some evidence? Check out this and this. Get to know her a little better here.
One of the best-received compositions we performed on our 2011 tour was Roshanne’s work Damaged Goods. We always felt invigorated by its energy and lushness, and our audiences did too. In addition to keeping her busy compositional schedule, Roshanne is now the artistic director of the University of Michigan’s Contemporary Directions Ensemble. A very exciting development, so we’ll keep an eye (and ear) out for that group’s exciting upcoming activities. We’re also looking forward to having Roshanne visit us on campus, and of course, to the piece she delivers us based on the voice of one of the most successful woman composers of all time, Joan Tower.
Next month: Anna Clyne
Posted by: Bill Ryan
Over the next year we will be introducing you to the team members behind our project. This will lead us up to the fall 2015 premieres. Now up–Marc Mellits, who is composing a work for our ensemble and the voice of Steve Reich.
Marc’s music hits hard. With its energy, with its drive, with its careful architecture, with its beauty. He jumped on our radar in 2000 when the Bang On a Can All Stars premiered his work Five Machines in New York. Since then we’ve worked with Marc as much as possible. In 2006 we spoke extensively with him about his work on the Music for 18 Musicians score as we prepared for our performances of the work. In 2007 we commissioned and premiered his 240 weeks. Last year we visited his workplace, the University of Illinois at Chicago, where we performed a concert and hung out with his composition students. We’ve performed lots of his music: Groove Canon, Merge Left, Parking Violation, and Mara’s Lullaby, and recently took Tight Sweater on our national parks tour. Along the way we’ve learned that Marc is a beer connoisseur, a football fanatic, and a great dad. He’s also got one of the most unreadable web sites out there (think GeoCities, but not quite that good). However, with over 800 performances of his work annually, people are finding him and his music. Maybe he’s onto something with his website after all.
Next month: Roshanne Etezady
Posted by: Bill Ryan
Over the next year we will be introducing you to the team members behind our project. This will lead us up to the fall 2015 premieres. Now up–Sarah Kirkland Snider, who is composing a work for our ensemble and the voice of Arvo Pärt.
This devastatingly beautiful song cycle by Sarah is one of the most remarkable things we have heard. Ever. The album was released in October 2010, featuring performances by Shara Worden and Signal. If you don’t know it, listen to this, and then go out and buy it. And then pass to a friend, and then buy it again. Penelope went on to receive nation-wide critical acclaim, including being named to several top ten lists of 2010. It was, and is, a magical creation.
Sarah is one of the few composers involved in this project that we have no relationship with, beyond a few emails. We are just huge fans that reached out, and she responded with excitement about the prospect of being involved. For more information on her and some exciting things she’s up to, including an upcoming piece for our neighbors to the east, The Detroit Symphony Orchestra, please stop by her website.
And seriously, back to Penelope. Have you listened to it yet?
Next month: Marc Mellits
Posted by: Bill Ryan
Over the next year we will be introducing you to the team members behind our project. This will lead us up to the fall 2015 premieres. Now up–Gyan Riley, who is composing a work for our ensemble and the voice of his father, Terry Riley.
We first met Gyan very briefly during the In C 45th anniversary concert at Carnegie Hall in 2009. We shared the stage with him and an incredible roster of musicians, including Terry, in an unforgettable 98-minute performance of the piece. Fast forward to 2013, where we reconnected at New Music Detroit’s annual new music marathon bash. We performed Steve Reich’s Double Sextet, and Gyan performed a few works of others, but we were especially knocked out by his set of his own solo guitar works. This sealed the deal–we needed to work with him.
There are loads of videos of him out there, but this is one of our favorites. And while we are very excited about each and every composition being written for this project, how cool is it that Gyan will be using his dad’s speaking voice as the foundation for his piece? It’s hard to wait for it, but we’ll try to be patient…
Next month: Sarah Kirkland Snider
Posted by: Bill Ryan
Over the next year we will be introducing you to the team members behind our project. This will lead us up to the fall 2015 premieres. First up, Michael Lowenstern, who is composing a work for our ensemble and the voice of Eric Dolphy.
Michael Lowenstern is an out-of-this-world bass clarinetist and educator, and also happens to be quite talented, and prolific, as a composer. His relationship with us goes back to 2006, when he was the second performer on our Free Play concert series (now up to 31 events and counting…) A clip from that event is here.
In 2009 he came back, this time with Todd Reynolds (who we’ll be discussing soon) to dazzle us with a show that students were talking about for weeks. Watch some of it here.
Michael brought a new solo show (and new record) to us in 2010, and showed us that he could also wail on a harmonica.
While most of his composing is for bass clarinet, we thought it would be a valuable service to get some Lowenstern music out there for a larger ensemble. Thankfully he agreed, and now we can’t wait to see what he comes up with for us! While you wait, he has a new CD coming out later this year. Tune in to his website for the details, plus lots more info.
Up next month: Gyan Riley
Posted by: Bill Ryan
We are thrilled that this project is going to become a reality, in large part due to the generous support of New Music USA. So to them, a big thank you!
Here’s where we are: The composers have just been given the OK to start their work: planning, gathering voice samples, and composing beautiful music. We’ll receive the compositions by June 2015, rehearse, and perform them throughout the 2015/16 concert season. All along the way we’ll be collecting audio and video so that we can share our progress.
While we wait for the pieces during the next several months, we’ll introduce you to the amazing team of artists we’ll be working with. They are an amazingly creative bunch, and will be bringing a LOT to the table. Can you believe that an undergraduate ensemble gets to work with these folks? We can’t either. This is going to be a fun ride.
The Grand Valley State University New Music Ensemble is commissioning nine composers to create works that utilize the actual speaking voice of an important 20th Century composer. The commissioned composers have chosen someone that has had a strong impact on their own work--due to their music, writings, teaching, mentorship, or other influence. Each work will be 5-8 minutes in duration, and will be written for ensemble (flute, clarinet, violin, cello, piano, percussion) and an electronic backing track that incorporates the 20th Century composer's speaking voice in some way. The speaking source material will either already exist, or will be recorded specifically for this project.
The commissioned composers and the voice they will work with:
Mason Bates (George Gershwin)
Anna Clyne (Igor Stravinsky)
Roshanne Etezady (Joan Tower)
Zoe Keating (Henryk Górecki)
Michael Lowenstern (Eric Dolphy)
Marc Mellits (Steve Reich)
Gyan Riley (Terry Riley)
Sarah Kirkland Snider (Arvo Pärt)
PERFORMANCE & EDUCATIONAL OUTREACH PREPARATION
A. Each commissioned composer will be filmed as they explain their work and why they chose their particular 20th Century "master" composer. These short video "program notes" will be shown before each work is performed. New media artist Luke DuBois will produce the films.
B. A brief history lesson will be designed around each 20th Century "master" composer. These lessons, prepared by ensemble members with guidance from the ensemble director, will dicuss the historical significance of each composer. Each lesson will have interchangeable content, dependent on the audience. Content units will be designed for K-3rd grade, 4th-6th grade, middle school, and high school level students. The high school level presentations would also be appropriate for any outreach events in the adult community.
A typical educational presentation for a work would be:
1. GVSU New Music Ensemble members present a brief history lesson on Steve Reich.
2. GVSU New Music Ensemble performs Clapping Music by Steve Reich
3. Show the short film of commissioned composer Marc Mellits introducing himself, his composition incorporating Steve Reich speaking, and how Steve Reich has influenced his own work.
4. GVSU New Music Ensemble performs the new Marc Mellits work.
The ten commissioned works will be performed throughout the 2015/16 concert season in a variety of venues:
Grand Valley State University, Allendale, MI
Urban Institute for Contemporary Arts, Grand Rapids, MI
The Block, Muskegon, MI
Detroit Institute of the Arts, Detroit, MI
Museum of Contemporary Art Cleveland, Cleveland, OH
Constellation, Chicago, IL
Selections from our 20th Century composer history lessons will be presented, followed by performances of the commissioned work that incorporated each composers voice.
Alexander Graham Bell Elementary School (K-8), Chicago, IL
Lamont Christian School (K-8), Coopersville, MI
Loutit District Library (adult community), Grand Haven, MI
St. Mary's Catholic School (K-8), Spring Lake, MI
Walden Green Montessori (K-8), Spring Lake, MI
(start video at 9:40) The GVSU New Music Ensemble performs Steve Reich's Double Sextet (2007) at Strange Beautiful Music VI, New Music Detroit's annual contemporary music marathon. Recorded live 9/14/13. Ashley Stanley (flute) Ian McIntyre (clarinet) Krista Visnovsky (violin) Cesar Colmenares (cello) Dutcher Snedeker (piano) Josh Dreyer (vibraphone)
(start video at beginning) The GVSU New Music Ensemble performs Jad Abumrad's Counting in C (2009) at The Atlas in Washington D.C. Recorded live 11/10/11. Ashley Stanley (flute) Anastasiya Nyzkodub (clarinet) Jonathan Nichol (saxophone) Kelly Vander Molen (violin) Cesar Colmenares (cello) Jera Leffring (piano) Josh Dreyer (vibraphone)
(start video at 3:00) The GVSU New Music Ensemble performs Terry Riley's In C (1964) at le Poisson Rouge, New York, NY. Recorded live 11/8/09. Dennis DeSantis (guest artist--electronics) Craig Avery (electric guitar) Ashlee Busch (flute) Adam Cuthbert (trumpet) Kurt Ellenberger (accordion) Sam Gould (percussion) Alex Hamel (percussion) Blair Hotz (bass clarinet) Jake Isaacson (percussion) Kaja Lill (bass) Pablo Mahave-Veglia (cello) Jonathan Nichol (saxophone) Tyler Smith (piano) Devin Starr (clarinet) Bill Willits (guitar) MingHuan Xu (violin)
09/01/2015 - 05/01/2016
Last Updated March 3, 2015
The New Music Ensemble at Grand Valley State University is dedicated to bringing audiences the most significant music of our time. Founded in 2006 by its director Bill Ryan, this undergraduate ensemble performs an incredible variety of music. From landmark compositions of the Twentieth Century, to the most recent works of this new century, their…