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New Work for Wave Field Synthesis by Nina C. Young, Performed by the American Brass Quintet

An installation-performance of fragmented Renaissance polyphony, spatial audio, and video projection creating ephemeral architectural spaces

Overview

Composer Nina C. Young is creating a new immersive 90-minute installation-performance piece in EMPAC’s theater incorporating EMPAC’s unique wave field synthesis spatial audio system, video projection, light, and live musical performance by the American Brass Quintet. The work will be publicly performed on March 19, 2020. The Glow that Illuminates, the Glare that Obscures creates a ritualistic environment of morphing, ephemeral, virtual architectural spaces (sonic and visual) that audience members explore during the performance. The work is rooted in the legacy of the relationship between architecture and antiphonal musical practice in the Renaissance and Baroque.

Young writes:
“Spending time in the chambers of ancient ruins and the cavities of basilicas and churches has led to a fascination with the interaction of architecture, light, and acoustics in relation to the human spectator. The different window types (from oculus to clerestory to stained glass) guide our relationships with the spaces, recanting visual stories as they divert beams of light in paths of illumination throughout the course of the day. The same is true of the sonic qualities of these, often vast, spaces. Within The Glow that Illuminates, The Glare that Obscures I take the brass performance tradition of the madrigals and motets of Renaissance polyphony and pass sourced quotations through a compositional prism (computer algorithms). The resultant fragments are illuminated and obscured in the composition through the use of antiphonal and heterophonic writing, in addition to unconventional positioning of the performers in the space. The concepts of fragmentation and spatial exploration are further emphasized with the integration of interactive media (visual and sonic). Fragments of pre-recorded and live-processed audio are generated in real-time and projected to specific virtual locations around the performers using EMPAC’s Wave Field Synthesis Array that slowly move and morph over time. Rather than using a typical horizontal orientation, the two wave field arrays are placed overhead, allowing a three dimensional audio design that cannot be masked by audience members bodies moving in the space. These 3-D virtual audio sources are traced and “illuminated” with live video projections that beam patterns of generated colored light onto the floor, mimicking the colored shapes of refracted light through stained glass windows. The visual component invites audience members to move around the space, discovering the interaction of the past and present, light and sound, live and synthesized performance.”

Young was in residence at EMPAC working with the wave field system and creating a proof-of-concept from January 3 – 11, 2019.

Additional Information:
Title: The Glow that Illuminates, The Glare that Obscures
Approximate Length: ~90 minutes / performance-installation
Number of musicians: 5
Instrumentation: brass quintet (2 trumpets, horn, trombone, bass trombone), electronic media (multi-channel spatial audio (WFS) and video/light projection)

Project Media

Fata Morgana (for symphonic brass ensemble)
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Features: Nina C. Young

Concert performance (Tanglewood Music Center Fellows) of a work for symphonic brass ensemble that creates an aural landscape of (dis)appearing fragments akin to maritime mirages. The American Brass Quintet has since organized performance collaborations of this work.

Quintet for Brass (2012) – Jay Greenberg (b. 1991)
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Recording released 01/13/2017; recorded at the American Academy of Arts and Letters (producer: Judith Sherman, label: Summit)

American Brass Quintet: Kevin Cobb and Louis Hanzlik, trumpets; Eric Reed, horn; Michael Powell, trombone; John D. Rojak, bass trombone.

RITE OF PASSAGE (Interactive installation / Performance audio documentation with Erin Helfert)
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Features: Nina C. Young

A collaborative multi-channel generative performance piece with activist and performance artist Erin Helfert that explores death, liminality, and rebirth as inspired by her five-year rape trial in a Moroccan court. Live audio from Oct 2016 performance at Federal Hall in NYC, reduced to 2-channel stereo recording. For video excerpt: vimeo.com/199115640

Start and End Dates

03/11/202003/21/2020

Location

Troy, New York

Project Created By

Troy, New York, New York
EMPAC—The Curtis R. Priem Experimental Media and Performing Arts Center—is where the arts, sciences, and technology interact with and influence each other by using the same facilities, technologies, and by breathing the same air. Situated on the campus of Rensselaer Polytechnic Institute, EMPAC is dedicated to building bridges between our human senses, to modes of…

In Collaboration With

Composer
New York, New York
Performers
New York, New York

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