Tarana features Mashkoor Ali Khan singing one of his rare and old traditional taranas in raga Yaman Kalyan. He and guest vocalist Daisy Press also sing composed taans, harmony parts and countermelodies, with tabla played by Anindo Chatterjee’s disciple Meghashyam Keshav, just intonation piano and tanpura played by me, and Western production techniques by Chris Botta. Although Indian classical music usually includes a lot of improvisation, this work is completely notated; yet the tightly structured 6-minute work allows for the music to come alive. Because Ustad is a master of a centuries old aural tradition, he has never needed to read music. Therefore we developed most of his parts based on things that he already knew, with countermelodies and harmony parts that he learned by ear.
To provide a little background for my work on this project, since 1978 I have studied and practiced singing Indian ragas on an almost daily basis, first as a disciple of the late Pandit Pran Nath, and his two foremost Western disciples, composers La Monte Young and Terry Riley, and since 1999 as a disciple of Mashkoor Ali Khan. When I was first getting started, La Monte encouraged me to study and practice the music in its pure form rather than creating hybrids. Whether consciously or not, I took his advice to the extreme. As a result, although practicing Indian music has profoundly influenced my life and work from the beginning, it has only been the past five years that I have directly used materials from the genre in my original works. La Monte’s advice enabled me to dive much deeper into the music; and decades later, with relatively equal training and background in both Western and Indian classical music, it comes naturally for me to merge elements from these diverse traditions. As a result over the past few years I have shifted my riyaz (daily practice) from singing with the tanpura, to singing and playing ragas on the just intonation piano. It is incredibly rewarding to start each day exploring the merging of the two musical traditions that I love best. Now I am more excited than ever about the possibilities, and it is the fulfillment of a lifelong dream to collaborate with my Ustad!