The Latest Update
Thank you soundinitiative and TRANSIENTS collaborators!
Qubit’s 10th season had a resounding start with the American debut of soundinitiative, the talented young French ensemble already making waves in Europe for their musical excellence as well as their fresh approach to curation, programming, and collaboration. Our intensely cooperative project was many months in the making with generous support from New Music USA, the French American Cultural Exchange Foundation, Chashama, Yamaha Artists Services, and SPEDIDAM.
Set over two days, we entitled our mini-festival TRANSIENTS, suggesting both the event’s focus on fine-tuned interactions of sound and space, as well as the participating artists’ peripatetic careers, each at home on several continents. The event began on September 7th with Jessie Marino’s and Winnie Huang’s The Vanity of Small Differences, followed by GENUINE FAKE featuring world premieres of the three QUBIT composer-members: Attempt at Exhausting a Place by Aaron Einbond, How To by David Bird, and Getting to We by Alec Hall, co-created with the artist MarieVic.
The second day, September 8th, showcased captivating music from French composers and performers rarely heard in New York: Fame by soundintiative performer-creator Julia Robert, Vertical Horizon by saxophonist-composer Joshua Hyde, and spaceinitiative, a program centered on a world premiere by Michelle Agnès Magalhaes, as well as the North American premieres of works by Raphaël Languillat, Louis D’Houdiéres, and Pierre Jodlowski.
Qubit’s season goes on with a gamut of music, media, and international visitors as varied as our group’s eclectic tastes: Lester St. Louis, and Alwyne Pritchard with the Alpaca Ensemble. By joining forces with fellow musical iconoclasts from near and far, we hope to challenge ourselves with new artistic synergies as well as perk up the ears of our New York audiences. Next up was cellist-composer Lester St. Louis, presented in our annual series Innovator Lab. Each year, Qubit selects early-career artists who defy classification into separate roles of composer, perfomer, improviser, or sound artist, but are united by their desire to use new interactive technologies intimately to engage with their audiences. A prime example is Lester St. Louis, who on September 16th gave his solo performance Transfer, Medium for cello, electronic sound, and lights, which he describes as “an invitation to the public to step into my Medium.” Then on September 22nd he invited MG, Teodora Stepančić, Joe Moffett, and Ben Stapp to join him for group performance MODA. All our September events were produced in the iconic Standard Motor Products building in Long Island City, in an expansive first-floor gallery space chosen in for its versatility and adaptability to our artists’ conceptions, as engaging visually and theatrically as musically.
Coming up next, Qubit presents the inimitable British-born, Norway-based vocalist, performer, and composer Alwynne Pritchard as she returns to New York this November. Performing together with the Norwegian Alpaca Ensemble, Pritchard will give the US premiere of a major new work, Black is the Colour (and I still hope). We hope to see you there on November 5that Areté Venue and Gallery in Greenpoint, Brooklyn.
For Qubit’s most ambitious project of the 2019-20 season, we have chosen to collaborate with French ensemble soundinitiative because—like Qubit—they are an organization whose work questions the traditional divisions of composer/performer/audience, instrument/electronics/multimedia, and concert/installation/theater. This project places these elements in the foreground by asking the musicians of both groups to collectively produce a multi-day event that is a performance, installation, and an immersive experience.
The festival takes place in the Standard Motor Products building at 37-18 Northern Boulevard, Long Island City, in a spacious first-floor gallery in the cultural heart of Queens near MoMA PS1, the Sculpture Center, and the Museum of the Moving Image. Acquired in partnership with Chashama, this location was chosen due to its expansive layout, location with easy access for members of the New Music community, and with video projection and multimedia running throughout the weekend, its ability to attract a high level of curious onlookers from those passing by the on the sidewalk.
Taking the form of a festival over two days (September 7-8, 2019), the project comprises three open-duration performative installations, and four concentrated concert events. Set throughout the expansive geographies of this converted bank, a core goal of the collaboration with soundinitiative is to produce the program in a non-traditional venue. Soundinitiative has a deep familiarity with installation-based and durationally non-specified works, and by building on Qubit’s experiences at Project-Q (a 6000-square foot venue we ran throughout 2018 in a former Harlem parking garage), this project will cohere into an inspiring and aesthetically powerful experience as audiences flow from one sonic situation to the next. Making its American debut, the project will be an important event for New York audiences to discover the voices of French composers Clara Maïda, Pierre Jodlowski, Julia Blondeau. Soundinitiative brings a studied technique of each of these important voices that are rarely heard on this side of the Atlantic, hopefully bringing together new musical communities not just from different countries but genres and disciplines as well.
September 7th Concert #1, 6pm – 7pm:
Jessie Marino, ‘The Vanity of Small Differences’ for one performer
September 7th Concert #2, 7pm – 9pm:
Aaron Einbond, new performed installation in collaboration with soundinitiative
Alec Hall, new work in collaboration with soundinitiative
David Bird, new work in collaboration with soundinitiative
September 8th Concert #3, 6pm – 7pm:
‘Fame’ for violist and new media
September 8th Concert #4, 7pm – 8pm:
Michelle Agnès Magalhaes, new work in collaboration with soundinitiative.
Louis D’Heudières, Laughter Studies 1 for two performers
Pierre Jodlowski, Coliseum for flute, saxophones (S&B), piano, percussion & electronics
September 8th Installation, 8pm – 9pm:
Vertical Horizons, installation performance for saxophonist, electronics & video
Lonelyhearts, by writer Kelsey Torstveit and composer David Bird, was part of Qubit’s 2018 event 21st-century Sound Stories, a site-specific, immersive music theater performance in collaboration with the TAK ensemble and director Joshua William Gelb. The proposed spaceinitiative project will build on the success of 21st-century Sound Stories, and give Qubit the opportunity to develop a collaboration with another vibrant young ensemble that also involves site-specific performance, and audience immersion, taking advantage of a unique venue.
For amplified tenor saxophone, video, and electronics, composed and performed by Joshua Hyde, saxophonist and co-director of sounditiniative. Vertical Horizon is part of the proposed program spaceinitiative, and showcases the multiple talents of soundinitiative members as composer-performers, equally dedicated to delivering exceptional performances and bringing new site-specific multi-media work to their audiences. This work will fuse seamlessly with the other installations and performances on the program to create a dramatic two-day festival.
A recent project by soundinitiative in collaboration with electronic artist :such: shows the ensemble’s talent for jumping off of the stage to reach out to the audience, electronic media, and the space around them to make the room come to life with a site-specific performance. Qubit’s proposed collaboration with soundinitiative seeks to electrify our two-day festival with similar approaches to site-specific performance, audience participation, and collective creation.
Throughout 2018, Qubit ran a 6000-square foot multi-disciplinary art space in West Harlem called Project-Q. It produced dozens of experimental music performances as well as week-long residencies through our Innovator Lab program. Qubit brings together artists, musicians, thinkers, writers, poets, psychologists, architects, programmers, roboticists, and anyone else who contributes to creatively engaging the issues of the present, committing to imaginative solutions where no vision is too out-there, or no dream is too big to make real.
An unnamed lobbyist purveys a stolen bioweapon on the cryptomarket before arriving at a social media celebrity house in Los Angeles, and finally at a Twitter Bot factory in regions unknown. The characters find themselves entangled amidst a widening morass of advertisements and social media, and as the lines blur between themselves and their surroundings, the lobbyist takes flight to alternative dimensions, spanning the physically discrete to the virtual, beyond the singularity and into the post-Human.
Produced at Project-Q in April 2018.
Start and End Dates
09/02/2019 — 09/08/2019
New York, New York