Sweet Land

Overview
The Arrivals wash up on the shore. They make contact with another civilization they call “the Hosts.” And from there, the story splinters, following diverging perspectives. Starting as a procession through the LA State Historic Park, Sweet Land becomes an opera that erases itself.
The company that created Invisible Cities and Hopscotch, now brings you a grotesque historical pageant that disrupts the dominant narrative of American identity.
Like all of The Industry’s previous works, Sweet Land is the result of a highly collaborative and multi-perspectival approach. Composer Du Yun is a Chinese immigrant whose recent work originates from what she states “is a lack of understanding and empathy around immigration”. Her last major opera, Angel’s Bone won a Pulitzer Prize for music and explores the psychology behind human trafficking. Composer Raven Chacon, recent Berlin Prize awardee, is originally from the Navajo Nation and advocates for Native American and First Nations composers and musicians. Librettist Douglas Kearney is a poet whose “polyphonic diction pulls history apart, recombining it to reveal an alternative less whitewashed by enfranchised power” (BOMB Magazine). Librettist Aja Couchois Duncan is a mixed-race Ojibwe writer who works to advance equity and social justice. Cannupa Hanksa Luger is a multidisciplinary artist who interweaves performance and political action to communicate stories about 21st-century Indigeneity. He co-directs Sweet Land with Yuval Sharon, the Founder and Artistic Director of The Industry and a 2017 MacArthur Fellow.
With the support of NEW MUSIC USA, The Industry will create a high-quality recording of Sweet Land.
Project Media
An introduction to The Industry’s 2020 world premiere opera Sweet Land.
In this video Sweet Land soloist, Sharon Chohi Kim shares what this production means to her. She is one of 18 soloists that this grant would support in the recording studio.
This audio sample includes two pieces that were performed at our Sweet Land workshop in May 2019. They represent two in-progress selections from our forthcoming full-length Sweet Land opera. Both pieces will be on the Sweet Land Recording, supported by this grant.
0:00-2:46 “Train 1” by Raven Chacon; 2:47-End “Feast 1” by Du Yun.
Start and End Dates
06/01/2020 — 12/31/2020
Location
Los Angeles, California
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