Our current plan is to make another trip south in early 2018, and probably again in March, in preparation for a workshop presentation at the Strand Theatre in Vicksburg in May of 2018. There will be a further development workshop at the Mabou Mines theater in New York City during the 2018/19 season.
The Latest Update
creating a story
Composer Eve Beglarian and writer and Mabou Mines Co-Artistic Director Karen Kandel will conceive a staged song cycle of twelve interlocking musical pieces that trace women’s experiences in Vicksburg, Mississippi during four different historic eras: the Civil War 1860s, the Jim Crow/Great Migration 1910s, the Civil Rights 1960s, and the current decade. The project will be developed/workshopped in both Vicksburg and New York with the premiere planned for the 2018/2019 season at Mabou Mines new theater. Mabou Mines is an artist-driven experimental theater collective, founded in 1970, generating original works and re-imagined adaptations of classics. Work is created through multi-disciplinary, technologically inventive collaborations in an extended development process.
The inspiration for the project began when Eve, a long time Mabou Mines collaborator, visited Vicksburg while traveling the length of the Mississippi River by kayak and bicycle during summer/fall of 2009. At the Military Park in Vicksburg, she came across journals kept by Confederate women who moved their households, including their slaves, into caves outside the town of during the siege. During her research, she discovered Albert Cashier, a soldier from Illinois, who served at Vicksburg and many other campaigns during the Civil War was revealed to be a woman. She also learned that scat singing was invented in Vicksburg in the early years of the 20th century.
These powerful documentary fragments coalesced into the song cycle idea with Karen, centering on the history of Vicksburg, a small but deeply significant town pivotal to the painful history of our country. The conceptual framework will use intense snapshots of women’s lives spanning 150 years of history in 50-year increments.
Karen visited Vicksburg for the first time with Eve in March of 2016, and together they have begun to address the questions that the seemingly immutable categories of North and South, male and female, black and white raise for us. Over repeated visits, Eve and Karen have met many residents of Vicksburg, building relationships and discovering hidden stories. Because Vicksburg is such a potent symbol of the agony of slavery and Civil War, it is also a place where keys to healing and reconciliation might possibly be forged.
Together Karen and Eve will collaborate on text and lyrics for the song cycle both in NYC and in Vicksburg. The text will be built from their research as well as their personal experiences of Vicksburg as (black and white, straight and gay) women. Video designer Matt Petty will create video as part of the live performance.
The grant period will also be used to put together the small ensemble of singers and musicians for workshops at Mabou Mines theater in NYC and at the Strand Theatre in Vicksburg. While the instrumentation is still to be determined, we envision a combination of local, New Orleans, and NYC musicians, and are aiming for an all-woman band.
We are seeking support at this early phase of the project to support a long-term research and development phase in the Vicksburg community for an ambitious project.
In Memory of James Craig Anderson and Medgar Evers.
Live performance by loadbang with Eve Beglarian and guests. Text by Eudora Welty. Footage from The Metro Inn in Jackson, MS – the site of the murder of James Craig Anderson on June 26, 2011 with video by Matt Petty. Additional footage from the home of Medgar Evers with video by Bradley Wester.
please visit http://evbvd.com/lightup/ to understand why I set church music against the voice of the murderer.
On the Battlefield was inspired by the memory of a visit I made to the Vicksburg National Military Park during my journey down the Mississippi River in 2009.
The November afternoon I was there, I ended up in a miserable long-distance phone argument with my then-lover in Athens. The site of one of the iconic struggles of the war between the states felt entirely personal and intimate to me that afternoon.
Matt Petty’s trombone improvisation is fed through live electronic processing. Matt also made the video that accompanies the piece.
This work sample is excerpted from a larger series that focuses on the inner life of women. PORTRAITS is the overall working title. This excerpt is intended to be accompanied by a live, new jazz composition with lots of saxophone and bass. In a work-in-progress presentation, Karen used the music of Billy Strayhorn for inspiration.
Start and End Dates
03/01/2017 — 06/30/2018